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WeLove-music
Music of the World speaks of peoples with their unique originality and of Mankind in all its precious diversity. Are you interested in World Music? If so - let's keep in touch!
http://www.welove-music.net/
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Ahmed El Kalai – Awtar Oua Al'Han
Ahmed Kalaï (1936-12 octobre 2008) était une des figures de proue de la musique tunisienne depuis les années soixante et connu pour ses créations, et ses compositions de chansons interprétées par lui et par de grands chanteurs et chanteuses tunisiens .
Il était notamment considéré un des virtuoses du luth en Tunisie et dans le monde arabe.
Le CD que je mets à votre disposition ici a été réalisé grâce à une subvention du Ministère Tunisien des Affaires Culturelles. "

01. Takassim (hijaz kar)
02. Samaï (hijaz kar)
03. Takassim (nahaowend)
04. Lounga (nahaowend)
05. Imane (Maâzoufa)
06. Takassim (hijaz kar kourdi)
07. Kaouatir (Maâzoufa)
08. Takassim (Rast)
09. Jamel Ettabia (Maâzoufa)
10. Takassim (Ochek)
11. Ouard Errabia (Maâzoufa)
12. Al Yassamine (Maâzoufa)

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Asturiana: Songs From Spain & Argentina
"I could swear Kashkashian's viola sings words as well"

A melodious and atmospheric collection of songs without words, Asturiana - Songs from Spain an Argentina offers a fascinating overview of different idioms in Spanish and Argentine songs from early 20th century composers such as De Falla, Granados, Ginastera, Gustavino, Montsalvatge and others. Spanish songs lend themselves particularly well to instrumental transcription due to their frequent foundation in folk and popular styles of song and dance. Their melodic beauty and rhythmic energy create an intense atmosphere of tenderness and nostalgia with sudden outbursts of vitality - a most evocative music that doesn't seem to call for any verbal emphasis. Kim Kashkashian's and Robert Levin's duo, dating back to the mid-seventies, is a rare phenomenon of true musical partnership. It can be observed particularly well in their numerous ECM productions which, after the first album "Elegies" (1986), have included works by Schumann, Brahms, Hindemith, Shostakovich and other composers. The difference of their two musical approaches - Kashkashian's lyricism and love for the melodic line combined with Levin's strong interest in structure and stylistic considerations - is a main reason that this collaboration has been so fruitful. In fact, Asturiana demonstrates an extraordinary degree of freedom and flexibility, both rhythmically and sonically.

Manuel de Falla (1876-1946)
Asturiana [Track 01]

Enrique Granados (1867-1916)
El mirar de la Maja [Track 02]
El Majo olvidado - A Emilio de Gogorza [Track 03]
La Maja dolorosa [Track 04]
El Majo discreto [Track 05]

Carlos Guastavino (1912-2000)
La rosa y el sauce [Track 06]

Alberto Ginastera (1916-1983)
Triste [Track 07]

Xavier Montsalvatge (1912-2002)
Canción de cuna para dormir a un negrito - A Mercedes Plantado [Track 08]
Chévere - A Santiago Kastner [Track 09]
Cuba dentro de un piano - A Concepción Badía de Agustí [Track 10]
Punto de habanera - A Lola Rodriguez de Aragón [Track 11]

Manuel de Falla (1876-1946)
Siete canciones populares españolas (1914-15) - A Madame Ida Godebska
El paño moruno [Track 12]
Seguidilla murciana [Track 13]
Asturiana [Track 14]
Jota [Track 15]
Nana [Track 16]
Canción [Track 17]
Polo [Track 18]

Alberto Ginastera (1916-1983)
Triste [Track 19]

Carlos Guastavino (1912-2000)
Se equivocó la paloma… - A María de Pini de Chrestia [Track 20]
Abismo de sed [Track 21]
Pampamapa [Track 22]
Bonita rama de sauce [Track 23]
La rosa y el sauce [Track 24]

Carlos López Buchardo (1881-1948)
Prendiditos de la mano - A Esther Llavallol de Roca [Track 25]
Oye mi llanto - A Miguel Mastrogianni [Track 26]

Transcriptions for viola and piano by Kim Kashkashian and Robert Levin

Kim Kashkashian, viola
Robert Levin, piano

FLAC (EAC Rip): 290 MB | MP3 - 320 kbs: 190 MB | Booklet Scans

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Fairuz - Beirut: Arabian Masters
Selection of the Greatest Hits Recorded by Famous Lebanon Singer, Fairuz (Her Real Name is Nihad Haddad). Her Biggest Hits Are 'Ishar' and 'Sakana al Leyel' Recorded to the Poetry of Gibran Khalil.

01. Ishar, Mohamed Abdel Wahab, Rahbani Brothers
02. Kahifakolil, Mohamed Abdel Wahab
03. Ya Garatal Wadi, Mohamed Abdel Wahab, Ahmed Shawki
04. Sakana al Leyel, Mohamed Abdel Wahab, Gibran Khalil
05. Habbeytak, Rahbani Brothers
06. Dhakhilik Ya Emmi, Rahbani Brothers
07. Dak Elhawa, Rahbani Brothers
08. Fayek Walla Nassi, Rahbani Brothers
09. Beirut Hal Zarafat [Live], ElKhoury, Bechara
10. Hamaltu Beirut [Live]
11. Min Taht Hal Arzeh [Live]

Mohamed Abdel Wahab (Composer), Ahmed Shawki (Poetry), Rahbani Brothers (Composer)

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Erhan Bayladı - Geçmişten Yansımalar (Reflections from the past)
Many instrumental composers of the past and has caused a rush to work like embroidery works of the great pleasure and admiration survived relax. Unfortunately, today is composed of very few composers of instrumental works out to face the day not because of various problems.Every time we listen with admiration the great masters have been affected with a sense of the composer's own work has revealed that host, ie, as a reflection of the past now preparing an album that, "Reflections from the past." from Erhan Bayladı "

[01]. Suzinak Saz Semaisi
[02]. Nihavend Saz Semaisi
[03]. Hicaz Ud Taksimi

Ud: Erhan Bayladı
[04]. Hicaz Saz Eseri
[05]. Kürdili Hicazkar Keman Taksimi

Keman: Aydın Varol
[06]. Kürdili Hicazkar Saz Semaisi
[07]. Hicazkar Kanun Taksimi

Kanun: Ahmet Meter
[08]. Hicazkar Saz Semaisi
[09]. Hüzzam Ney Taksimi

Ney: Volkan Yılmaz
[10]. Hüzzam Saz Semaisi
[11]. Hisar Buselik Saz Eseri

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Musique iranienne
La musique iranienne est expression de sentiments, d'émotions, de «mouvements d'âme». Tantôt non mesurée, comme des récitatifs, tantôt très rythmée, elle fait alterner un caractère méditatif, voire une nostalgie de l'Absolu, qui habitait maints grands maîtres de jadis - dont la plupart étaient des mystiques - et une exaltante allégresse.

Djamchid Chemirani, zarb
(01) Improvisation à 6 temps

Madjid Kiani, santour
(02) Dastgâh-e Segah

Dariush Tala'i, tar
(03) Dastgâh-e Shur

FLAC(EAC Rip): 275 MB | MP3 - 320 kbs: 140 MB | Booklet Scans

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Alto En La Fiebre De La Rumba (A Calm in the Fire of Dances)
Another page is written in rhumba history, New York chapter. Kip Hanrahan's ever inventive, ever experimental (sometimes to their own detriment) American Clave label offers a follow-up to their first deep rhumba release, This Night Becomes a Rumba. In very much the same spirit, the percussion is thickly layered and pulsing, the arrangement ideas are out of the box, and the emotional tone is at times melancholy and searching, at others fierce and impassioned. With truly the very finest percussionists in the business at his disposal, including drummers Horacio "El Negro" Hernández and Robby Ameen, congueros Richie Flores, Giovanni Hidalgo, and Paoli Mejias (to name just a few), and timbalero Amadito Valdes, there is an overabundance of percussive talent. At times, the blanket of rhumba-funk can be so thick as to stifle the tune, but when used in more sparing measure, it's glorious. The unexpected standout of the record is the vocal styling of Haila Monpie, a former member of the Cuban vocal group Bamboleo. Her tone and improvisational talent are heart-wrenching and inspiring. All in all, there's enough variety and nuance in this record to captivate even those who are not rhumba obsessed. For those who are, say goodbye to friends and family for at least a week. You're going to be glued to the stereo. ~ Evan C. Gutierrez, All Music Guide

01. Cubana
02. Medley: Robby and Negro Opening Time/Pensamiento
03. Bom Bom Bom Bom
04. Prelude to Ungolpecito Na' Ma
05. Kip Quest
06. Quimbara 2000
07. Charles and Andy Discuss the Science Voodoo and the Voodoo of Science
08. Besame Mucho
09. Tradicion
10. Sugar and Cotton (Black Hands in White Labor)
11. Cantar Maravillioso
12. Giovanni
13. Arabian Nights
14. El Solo Nino
15. Yambu de Las Cocas
16. Work and Play (Real Life Dramas)

APE (EAC Rip): 450 MB | MP3 - 320 kbs: 210 MB | Scans

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