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- Fairuz - Biyya' Elkhawatem (Rings for Sale) DVD" After Years of thirst, a voice like fresh water has arrived. A cloud, a love letter from another planet: Fairuz has overwhelmed us with ecstasy. Names and figures of speech remain too small to define her. She alone is our agency of goodwill to which those of us looking for love and poetry belong. When Fairouz sings, mountains and rivers follow her voice, the mosque and the church, the oil jars and loaves of bread. Through her, every one of us is made to blossom, and once we were no more than sand; men drop their weapons and apologize. Upon hearing her voice, our childhood is molded anew." (Prominent Syrian poet Nizar Qabbani)
A History On Stage Musical plays or operettas were the cornerstone works of the Rahbani Trio, Fairuz, Assi and Mansour. The Rahbani Brothers produced 25 popular musical plays (20 with Fairuz) over a period of more than 30 years. They were the first to produce world-class arabic musical theatre. The musicals combined rich storyline, poetic lyrics and dialogue, ingenious musical composition varying widely from Lebanese folkloric and rythmic modes to classical westernized oriental songs, masterful orchestration, and the hauntingly beautiful voice and acting talent of Fairuz, who played the lead role alongside singers/actors Nasri Shamseddine, Antoine Kerbaje, Elie Shouayri and Hoda. These plays are ample proof of Fairuz's outstanding talent as a singer and actress. The Rahbani plays expressed patriotism, love and nostalgia for village life, comedy, and contemporary politics thereby embodying the very soul of Lebanon. The songs performed by Fairuz as part of the plays have become immortal masterpieces that live in the minds and hearts of millions of Lebanese and Arabs around the world.
Baya'a ElKhawatem - Rings for Sale The Plot: The mayor of a small village invents a fictional character called 'Rajeh' which he claims he fights on the outskirts of the village. But some people question the mayor's stories and call him a bluffer. He admits to his niece, Rima, the truth. He made it all up. Fadlou and Eed carry on a number of crimes and blame Rajeh for it. It's the time for the annual singles festival where males and females still unmarried get engaged, and it's when Rajeh appears. People start getting scared forming community watches looking for Rajeh. Driven with their fear from Rajeh, Fadlou and Eed confess by themselves to the crimes and place themselves in prison. Rajeh meets with the villagers on the wedding/engagment day and he turns out to be a ring seller. He gives away his rings and scarves to them in exchange that Rima marries his son.
| DVD Rip | Length: 01:31:10 | 672 x 320 Pixels | 800 MB | English subtitle |
Archives have 5% of the information for restoration
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6
Переслать - Rotofenmusi - 25 Jahre Rotofenmusi
Rotofenmusi
25 Jahre Rotofenmusi, 2006
Das Ensemble hat vor 25 Jahren mit seiner bis dato unbekannten Instrumentenzusammenstellung für eine kleine Revolution der alpenländischen Volksmusikinterpretation gesorgt. Heute zählt das Quartett zu den renommiertesten Gruppen der Szene.
The ensemble has made 25 years ago with his hitherto unknown combination of instruments for a small revolution in the alpine folk music interpretation. Today the Quartet is one of the most respected groups of the scene.
01. Hoit Ma Zamm
02. Urner Landler
03. Da Kniaschnackler
04. Menscha Kemmts Her
05. Auf Da Maurachalm
06. Für D'steirische Jagawirtin
07. Eckersattl (Boarischer)
08. Auf und Davon
09. Fix Do Geht Nix
10. Dirnei Du Liabs
11. Annamirl Mach auf
12. Stöhrhaus Boarischer
13. Schau, Schau
14. Landler Für Wasti Irlinger
15. Nachg'lodn
16. Über'n Teifesteig
320 kbps including full scans
Part One
Part Two
Переслать - Pygmées Aka - Musiques et chants polyphoniques de la sylve
Pygmées Aka - Musiques et chants polyphoniques de la sylve, 1994
1. Arc musical mbèla, chant de chasse
2. Arc musical mbèla et bouteille percutée
3. Arc musical èngbíti
4. Arc musical èngbítí
5. Percussion contemporaine pòkè
6. Chant polyphonique et ngòmbì, Kanabaleti kuango
7. Chant polyphonique et ngòmbi, Bieco
8. Chant polyphonique et mòkindá, O gilo mahe gilo
9. Chants polyphoniques et mòkindá, grande fête de divertissement
320 kbps mp3; including full booklet scans
Part One
Part Two
Переслать - Peter Sadlo & Friends - Drum Together
Peter Sadlo & Friends
Drum Together, 2001
Das Instrumentarium auf der jüngsten Aufnahme des Schlagzeugers Peter Sadlo liest sich wie eine Ansammlung von Hausrat: Auf Blechkannen, die angefüllt sind mit Schrauben, auf Kuhglocken, Zinnkannen, Benzinkanister und Ähnliches wird hier geschlagen, getrommelt, gezupft. Kein Baumarkt scheint vor dem Musiker sicher: "Meine Frau hat neulich ein Paar Pflanzen gekauft und Zinkübel dazu", erzählt er im Interview amüsiert. "Da musste ich gleich ausprobieren, wie das klingt. Aus dem Baumarkt habe ich etwa 20 dieser Milchkannen mitgenommen; die Frau, die das eingepackt hat, hat mich schon ganz seltsam angeschaut."
Zusammen mit Freunden hat Sadlo eine Aufnahme produziert mit dem programmatischen Titel Let's drum together. Er selbst bezeichnet seine Aufnahme als "Crossover auf seriöse Art, eine richtige Multi-Kultiplatte mit Musik, die richtig abgeht". Multikulturell geht es tatsächlich bei den hier gespielten Komponisten zu: John Cage ist Amerikaner, Iannis Xenakis Grieche. Dazu hat Sadlo noch ein Marimba-Stück von Matthias Schmitt genommen, das auf einen ghanaischen Tanzrythmus basiert und hier für Ensemble bearbeitet wurde. Australien wird durch "Heat" von Dean Wilmington repräsentiert und Südamerika von einer "Improvisation Latina" von Nandor Weisz. "Marimba Spiritual" von Keiko Abe schließlich ist ein japanischer Beitrag.
Die Anforderungen an die Interpreten sind unterschiedlich: Während es bei Cages "Third Construction" genaue Anweisungen gibt, welche Instrumente zu verwenden sind, steht in Xenakis' "Psappha" die Wahl der Instrumente frei. Vorgeschrieben ist hier nur die Struktur des Klangs, sei es Fell, Holz oder Metall. Eine spannende Mischung also von Musik aller Art, die belegt, dass Rhythmik eine essenzielle Musikerfahrung ist, die alle Menschen erfasst und das kluge Wort von Bülow bestätigt: "Im Anfang war der Rhythmus". - Teresa Pieschacón Raphael
Here is a disc that should be compulsory listening for anyone who is of the opinion that contemporary music cannot possibly be entertaining, exhilarating or sheer fun. Don't be put off by the names of John Cage or Iannis Xenakis for I defy anyone not to be amazed, fascinated or at the very least simply interested in the tremendous diversity that these six works for percussion ensemble offer.
Himself one of the world's leading percussionists, Peter Sadlo has assembled a multi-cultural and hugely talented group of musicians from as far afield as Chile (Claudio Estay), the West African state of Guinea (Famadi Sako), China, Australia and, closer to home, Hungary and Germany. It is this cross-fertilization of cultures that is exploited in the music, from the indigenous Australian sounds of Dean Wilmington's Heat, to the wild, South American rhythms of Improvisation Latino by Nandor Weisz.
Dean Wilmington's work commences with the extraordinary sound of the Bull-Roarer, a kind of bass didgeridoo that the Aboriginals use to call up spirits. There is a truly elemental atmosphere to this piece; one can almost feel the blazing heat of the outback and the scorched earth underfoot as Wilmington fuses native Australian sounds with those of modern jazz to create an unlikely yet highly effective work. John Cage's complex but never less than exhilarating Third Construction accumulates its "heat" in a contrasting manner, latent rhythmic energy that builds to a final climax of almost manic intensity. Highly imaginative in its use of a bewildering variety of instruments this work is by a true pioneer of the genre. Matthias Schmitt's Ghanaia started out as a piece for solo marimba and still features a very prominent part for the instrument although having been expanded by the group into an ensemble piece. The deceptively atmospheric opening, an appeal to the villagers to a dance festival, soon gives way to an exciting Ghanaian dance rhythm, featuring the talents of African master drummer Famadi Sako and led by the bass drum or "doun doun". Xenakis's Psappha is the only work on the disc for solo performer and as such sits slightly at odds with its more heavily scored counterparts. Here Xenakis prescribes the dynamics, tempo and rhythm whilst allowing the performer the freedom to select the instruments. Although brilliantly played by Peter Sadlo, the work comes across as a little dated when listened to alongside the still newly minted sounding Cage work. The African connection already explored we move to Japan for Minoru Miki's Marimba Spiritual, with traditional Japanese melodies and Kodo drummers the principal influences. As the title implies, the marimba carries the main melodic impetus, Miki initially exploring metallic instruments and switching to wooden instruments for a second recitative part way through the work. It is not difficult to see why Improvisation Latino by Nandor Weisz was chosen to bring the disc to a conclusion. A thrilling adrenaline rush of South American rhythms, much of the music is improvised using a bizarre variety of everyday items including dustbin lids, household brooms and car springs. The result is hugely effective and must also, as with most of this music, have a tremendous visual impact when performed in concert. Fantastic stuff.
Aided by recorded sound of the highest order Peter Sadlo and Friends offer virtuosity and variety in abundance. This is a disc that has taken me somewhat by surprise but is possibly the best recording of works for percussion ensemble I have ever heard and definitely not just for percussion junkies. I would recommend anyone to give it a go."Christopher Thomas".
1. Dean Wilmington - Heat
2. John Cage - Third Construction
3. Matthias Schmitt - Ghanaia
4. Iannis Yenakis - Psappha
5. Minoru Miki - Marimba Spiritual
6. Nandor Weisz - Improvisation Latino
Peter Sadlo - percussion, marimba
Claudio Estay - percussion (1-3,5-6)
Philipp Jungk - percussion (1-3,5-6)
Li Biao - percussion (1-3,5)
Dean Wilmington - didjeridu (1)
Famadi Sako - djembe (3)
Nandor Weisz - percussion (6)
flac including full scans
Part 1 | Part 2 | Part 3 | Part 4
Переслать - Oum Kalthoum - HAZIHI LAYLATYOum Kalthoum - Hadhihi laylati, 1968
Composer: Muhammad 'Abd al-Wahhab
Lyrics: Jurj Jardaq
Genre: Qasidah
Maqam : Kurd
HERE
Переслать - Poetry and Languid Charm. Swahili Music from Tanzania and Kenya from the 1920s to the 1950s
Poetry and Languid Charm. Swahili Music from Tanzania and Kenya from the 1920s to the 1950s, 2007
For those unfamiliar with the taraab musical tradition of East Africa--the haunting, Arabic-influenced ensemble music of the Swahili people - this excellent new collection from Topic Records is a great place to start. Ably compiled by African music scholar Janet Topp Fargion, the collection assembles some truly extraordinary recordings from a variety of mostly-defunct labels--large and small--from the last century. Such long lost labels as the Gramophone Company and Jambo Records recorded Swahili music both in-situ and in their recording studios in Bombay--where Gramophone once brought the legendary taraab singer Siti binti Saad to record in the 1920s. But where the collection truly comes to life is with the extraordinary 1950s field recordings by maverick English musicologist Hugh Tracey. Recording for South Africa's Gallo label, Tracey captured a multitude of taraab orchestras of the day; groups like Egyptian Musical Club, Alwatan Musical Club and soloists like violinist Bom Amberon. Thoughtful and extensive liner notes from Topp complete add valuable context to this excellent little record.
As recorded music developed in the early part of the 20th century, there was more and more pressure on commercial record labels to capitalise on indigenous music in Africa, Asia, South America and the Caribbean. This was not some sort of altruistic exercise, rather a market that was open to exploitation. On the East African coast, site of the present day Tanzania and Kenya, there was a "gold rush" fever in the 1930s to record the local music stars.
The music recorded was mostly "taarab", sung poetry accompanied by an ensemble that played with both traditional African rhythms with Arabic influences and used Arabic and Indian instruments. This exciting music is being here released on CD for the first time, and has been remastered to produce outstanding sound quality from the original 78 rpm recordings.
01. Jauharah Orchestra - The Yearning Keeps Increasing in My Heart
02. Jauharah Orchestra/Nasor Khalfan - There Isn't One Who Wouldn't Desire You, If You Clean Yourself Up
03. Siti Binti Saad & Group - You Are a Cat
04. Siti Binti Saad & Group/Sheikh Mbaruk - Don't Be Greedy
05. Egyptian Musical Club - Sheikh Salim's Song
06. Ramazan Na Subeit Bin Ambar - Taksim (Improvisation) on the Nahawand Maqam-Song For Two Instruments
07. Children of the El-Hasanain Koranic School - Oh, Lord of Heaven
08. Egyptian Musical Club - I Am Ill, My Fellow
09. Siti Binti Saad & Ground - Cassava of Jang'ombe
10. Siti Binti Saad & Group/Sheikh Mbaruk - Like a Wodden Boat With Outrigger
11. Alwatan Musical Club - Ee, Baba Pakistani
12. Nahawand No.2 - Bom Amberon
13. Alwatan Musical Club/Layla Maulidi - There Is No End
14. Siti Ganduri/Party of Ras Maalim Rivue - I Am Done With Being Questioned
15. Maalim Abdi - I Desire a Flower (Love)
16. Alwatan Musical Club/M. Maftaha - Where Is the Message?
320 kbps mp3, including full booklet scans
Part One
Part Two
Переслать - Pascal Monteilhet - Musique à Versailles - Francois Dufault, Pièces pour luth
Pascal Monteilhet
Musique à Versailles - Francois Dufault, Pièces pour luth, 1993
Suite in A minor
01. I. Prélude (95)
02. II. Allemande (100)
03. III. Courante (117)
04. IV. Sarabande (137)
05. V. Gigue (148)
Suite in C major
06. I. Pavane
07. II. Courante (129)
08. III. Sarabande (65)
09. IV. Sauterelle (78)
Suite in G minor
10. I. Pavane (161)
11. II. Gigue (147)
12. III. Courante (43)
13. IV. Courante (116)
14. V. Sarabande et doubles (66)
15. VI. Gigue (76)
Pavane in E minor
16. Pavane in E minor
Suite in C minor
17. I. Prélude (4)
18. II. Allemande (16)
19. III. Courante (37)
20. IV. Sarabande (57)
21. V. Gigue (75)
Suite in D major
22. I. Allemande: La Superbe (85)
23. II. Courante
24. III. Sarabande (146)
25. IV. Sauterelle (160)
Suite in G minor
26. I. Prélude
27. II. Tombeau de Mr Blancrocher (22)
28. III. Courante (39)
29. IV. Sarabande (58)
30. V. Gigue (72)
320 kbps mp3, including full booklet scans
Part One
Part Two
Переслать
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