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WeLove-music
Music of the World speaks of peoples with their unique originality and of Mankind in all its precious diversity. Are you interested in World Music? If so - let's keep in touch!
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Oum Kalthoum - HELM/ELAMAL
Oum Kalthoum - al-Amal, 1946

Composer: Zakariya Ahmad
Lyrics: Bayram al-Tunsi
Genre: Ughniyah
Maqam : Rast

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The Best of Youssou N'Dour
Some of the most exciting sounds to come out of Africa in the late '80s and 1990s were produced by Senegal-born vocalist Youssou N'Dour. Although rooted in the traditional music of his homeland, N'Dour consistently sought new means of expression. In addition to recording as a soloist, N'Dour collaborated with a lengthy list of influential artists including Paul Simon, Peter Gabriel, Neneh Cherry, and Branford Marsalis.

A native of the impoverished Media section of Dakar, N'Dour inherited his musical skills from his mother, a griot (oral historian) who taught him to sing as a child. A seasoned performer before his teens, N'Dour joined the popular group the Star Band de Dakar at the age of 19. Within two years, he had assumed leadership of the group, which he renamed Super E'toile de Dakar. With the band accompanying his four- or five-octave vocals, N'Dour helped to pioneer mbalax, an uptempo blend of African, Caribbean, and pop rhythms. Performing for the first time in Europe in 1984, N'Dour and Super E'toile de Dakar made their North American debut the following year.

N'Dour's talents soon attracted the support of top-rated musicians. In 1986, his vocals were featured on Paul Simon's Graceland and Peter Gabriel's So. He subsequently toured around the world as opening act for Gabriel. His greatest exposure came when he agreed to be a co-headliner, along with Gabriel, Bruce Springsteen, Sting, and Tracy Chapman, on the Amnesty International Human Rights Now! tour in 1988. The same year, he performed at the much-publicized birthday concert for South African activist (and president) Nelson Mandela at Wembley Stadium in London.

N'Dour cemented his reputation in 1989, when he released his first internationally distributed album, Set, which included a tune, "Shaking the Tree," that he co-wrote with Gabriel. Upon signing with Spike Lee's Columbia-distributed 40 Acres & a Mule label, N'Dour scored a Grammy nomination in 1991 with his first effort for the label, Eyes Open. He continued to seek new outlets for his creativity, including an African opera that premiered at the Paris Opera in July 1993. Recorded in Senegal, N'Dour's album The Guide, released in 1994, included his hit duet with Swedish-born vocalist Neneh Cherry, "Seven Seconds."

A steady stream of greatest-hits packages, reissues, singles, and even a few full-length records -- including a handful on Nonesuch, 2002's Nothing's in Vain, 2004's Egypt, and 2007's Rokku Mi Rokka -- poured out during the late '90s and into the next century, featuring N'Dour working with artists from Etoile de Dakar to Gabriel. Egypt, which went on to win a Grammy, caused quite a cultural and political stir when it was released during the month of Ramadan. A documentary DVD centered around the whole affair, Youssou N'Dour: I Bring What I Love, appeared early in 2010 and included a biography of N'Dour's career as well as extensive concert footage and film of N'Dour working on the Egypt project. ~ Craig Harris & Steve Leggett, All Music Guide

Youssou N'Dour has two sides to his career. There's the hard-driving mbalax style that he created by fusing calypso, Latin and pop to traditional Senegalese music. Then there's the (some would say overproduced) world-beat pop that recalls the later work of Peter Gabriel. Falling into the latter category, 7 Seconds is a 16-track collection that draws from two Columbia albums from the early 1990s and a French import of 2000 (Joko (From The Village To Town)) as well as two cuts from a 1994 live-for-radio recording. The most interesting tidbit, however, is N'Dour's near straight reading of the Beatles' "Ob-La-Di, Ob-La-Da," which came out as Japanese-only single in 1996. The duet with Neneh Cherry on "7 Seconds" shows how good of Western pop singer N'Dour is, but he also does well on the soul classic "Don't Look Back," which features Wyclef Jean. This is definitely a strong argument for revaluating N'Dour's poppier material. --Tad Hendrickson

[01]. New Africa
[02]. Undecided (Japoulo)
[03]. Mouvement (Dunya)
[04]. 7 Seconds (Duet With Neneh Cherry)
[05]. Yo Le Le (Fulani Groove)
[06]. Without A Smile
[07]. Please wait
[08]. Country Boy
[09]. Birima
[10]. Ob-La-Di Ob-La-Da
[11]. Old Man
[12]. No More
[13]. Set (Live)
[14]. Oh Boy (Live)
[15]. Don't look back
[16]. Things Unspoken

FLAC tracks (EAC Rip): 520 MB | MP3 - 320 kbs: 190 MB | Scans

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Fairuz (Live in Las Vegas) DVD
FAIRUZ IN CONCERT AT THE MGM GRAND GARDEN ARENA
LAS VEGAS - MAY, 1999

From Albert Hall to Carnegie Hall, She sang... Neighbor to the Moon, our Ambassador to the Stars made her Las Vegas debut with a one night only concert at the Garden Arena on May 15, attended by thousands of her fans from all over the world. The performance is a historical and musical journey through decades of innovation in Middle Eastern music as Fairuz performs the jewels of Rahbani, Naseef, Gibran, and Wahbe, along with muwashahhat and tributes to Lebanon and Palestine. Accompanied by a 42 piece orchestra, a full chorus, and conductor Michele Harro, this is the Fairuz of the people, and for one night, she sings for you.

Fairuz remains one of Lebanon's most revered singers, and her entire one-night May 1999 performance in Las Vegas appears here along with a documentary featuring a behind-the-scenes look at the wondrous vocalist. A 42-piece orchestra under the baton of conductor Michele Harro and a full choir accompany Fairuz, who sings such favorites as "Atem Ya Leil," "Muwashahhat," "Mawal Ana wu inta," "Zourouni," "Ya Ana ya ana," "Dawwi Ya hal Andeel," "Ya Jisran Khashabian," "Leiliyi Betrja' ya Leil," and "Nassam Aleina el hawa" for an audience at the Garden Arena of over 13,000 of her devotees.

Directed and edited by Rima Rahbany.

| DVD Rip AVI | 740 MB| Length : 01 :45 | 640 x 432 |

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Radio-Sinfonieorchester Krakau - Modest Mussorgsky, Bilder einer Ausstellung
Radio-Sinfonieorchester Krakau
Modest Mussorgsky, Bilder einer Ausstellung, 2000

This is the version orchestrated by Sergej Gortschakow. The album includes German language texts spoken by Peter Ustinov. I ripped the music part only.

Radio-Sinfonieorchester Krakau; dir. Karl Anton Rickenbacher

Der unvergessene Künstler Nero -- Peter Ustinov, einstiger Star von Quo Vadis -- nun stocktrunken, frierend, nachts auf der Parkbank, ausgeschlossen von der Menschheit. Ein großer Darsteller in einem neuen Gewand, eine fröstelnde Muse vor dem Alkoholende.

Welch eine faszinierende Idee des Schauspielers und Erzählers Ustinov, durch die Bilder einer Ausstellung musikalisch zu promenieren und einem Gespräch Mussorgskys mit dem Kunstkritiker Stasow zu lauschen! Der renommierte Sir sprudelt hier über vor kreativer Expressivität. Doch warum durfte kein Mittdreißiger der Idee Ustinovs eine passendere Stimme verleihen? Haben wir es doch hier mit keinem alternden Goethe oder Thomas Mann zutun!

Das Nebeneinander von katastrophalen Entstehungsbedingungen der Komposition und der prominenten, allseitsbekannten Musik wäre für sich allein schon ordensverdächtig. Dass sich aber der Dirigent Karl Anton Rickenbacher -- an eine erfolgreiche Zusammenarbeit mit Sir Ustinov gewöhnt -- für die nahezu unbekannte, russische Instrumentierung Sergej Gortschakows (1955) entschied, ließ Modest aus seinen kostbaren, französischen Rüschen herausschlüpfen, die ihm Ravel angelegt hatte, und lässt ihn in solide, russische Stiefel eintauchen.

Das romanisch Filigrane scheint durch die kraftvolleren, schwereren Farben Russlands ersetzt. In dem Bild "Katakomben" wird die Atmosphäre noch tiefer, dunkler, bassiger. Zwei weitere Tuben verstärken diese Unterwelt. Raffinierte Klangkonstellationen, etwa die Saxofon-Passagen Ravels im "Alten Schloss", werden von einer gedämpften Trompete übernommen. Andererseits kläffen Sopransaxofone das "Goldenberg-Schmuyle-Gezänk" und nicht die Trompete. Verstärken solche Veränderungen nun das russische Kolorit?

Zumindest lassen sie die Musik des zerrütteten Genies noch düsterer, noch trostloser erscheinen. Wenn Mussorgsky von seinem adeligen Vermieter unangekündigt aus seiner armseligen Behausung (Miete = Vertonungen schlechter Gedichte) herausgeworfen wird und auf der vereisten Parkbank mit anderen Obdachlosen um einen Rest Menschenwürde kämpft, bleibt dem betretenen Zuhörer nur ein Frosch im Hals. --Mara Nottelmann-Feil

01. Promenade (I)
02. I. Gnomus
03. Promenade (II)
04. II. Il vecchio castello
05. Promenade (III)
06. III. Les Tuileries
07. IV. Bydlo
08. Promenade (IV)
09. V. Ballet des poussins dans leur coqes
10. VI. Samuel Goldenberg und Schmuyle
11. Promenade (V)
12. VII. Limoges, Le Marché
13. VIII. Catacombae, Sepulcrum Romanum
14. Con mortuis in lingua mortua
15. IX. La cabane sur les pattes des Poule - Baba-Yaga
16. X. La grande porte de Kiev
17. Entr'acte (Chowantschtschina)

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Rózsa Farkas - Wohltemperiertes Cymbal
Rózsa Farkas
Wohltemperiertes Cymbal,2006

László Melis - Wohltemperiertes Cymbal
01. 1. Prelude
02. 2. Fugue
03. Máté Hollós - Toccata Lirica
04. Péter Durkó - Short Story
Árpád Könczei - Moments - For Alto Saxophone & Cimbalom
05. I.
06. II.
07. III.
08. IV.
09. Zsófia Tallér - Sounds for Better Days
10. István Láng - Soliloquium
11. Miklós Csemiczky - Capriccio Interrotto
12. Miklós Lukács - Samsara
13. Zsigmond Lázár - Supplication for Two Small Ones
14. Zsigmond Lázár - SMS

Rozsa Farkas - cimbalom
Maria Teresa Uribe – voice (13)
Miklós Lukács – cimbalom (1,2)
László Kiss Gy. – alto saxophone (5-8)
Péter Szalai – tabla, percussion (12)
Péter Somogyi – violin (13,14)
Dóra Behumi – alto flute (13)
Tamás Cs. Nagy – viola (14)
István Várdai – cello (14)

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Rolf Kristoffer Seldal - Trommeslåttar og anna på slåttetromme
Rolf Kristoffer Seldal
Trommeslåttar og anna på slåttetromme, 2007

Rolf K. Seldal is a highly regarded Norwegian Folk Drummer and Ethnomusicologist. On this fascinating album he plays traditional drums, lure, Ram's Horn, Bugle, Jew's Harp, and Langeleik.
He is joined by Laila Kolve, on sea flute and willow flute; and by Lajla Renate Buer Storli, playing Hardanger fiddle.
The Norwegian folk drumming tradition is over 500 years old - starting as a military instrument and later used in weddings, dances and other ceremonial events. The main musical idea is to produce a drone (tremolo) under the main rhythmic theme.
This technique is also found in other Norwegian folk instruments such as the Hardanger fiddle, the mouth harp, and the 'langeleik', which is a dulcimer or zither type instrument.

01. Lurlokk 0:55
02. Saluttslåtten 1:20
03. Pols 3:11
04. Springar Frå Sogn 1:49
05. Marsj No.6 1:04
06. Mehuskvervelen 1:12
07. Brura-laatt 1:56
08. Trommemarsj 0:51
09. Bruremarsj 1:43
10. Brudlaupsslått Etter Lars Malkenes 1:36
11. Reinlendar Etter Svein Lutro 2:24
12. To Reinlendarar 1:21
13. Spurva Lilla 1:41
14. Marsj No. 11 0:44
15. Den Dubble Revelje 2:04
16. Uppstaden 1:31
17. Den Dubble No. 4 0:40
18. Brudlaupsslått Etter Hans Jørgen H. Tvedt 1:43
19. Marsj No. 13 0:43
20. Dalaslåtten - Springar Etter Hans Aarra 1:00
21. Stikkemarsj 1:22
22. Brudlaupsslaatt 1:15
23. Lyklaknappen 3:05
24. Brudlaupsslått Frå Strandvik - Etter Johannes Sørtveit 1:46
25. Brura-laatt 2:13
26. Slått Etter Johannes Tveiterås 1:25
27. Jonsokdag 1:47
28. Reinlender Etter Johannes Mehus 1:34
29. Gurine Telle 1:40
30. Springar Etter Hans Holdhus 2:40
31. Sjusprigen 5:49
32. Engelsk Revelje 1:28
33. Preikaren 3:01
34. Mundheimslått 1:28
35. Spissrot 0:55
36. Jægermarch No. 1 0:41
37. Trommemarsj 0:43
38. Springar Etter Johannes Sørtveit 2:49
39. Brudlaupsslaatt Etter Hans Jørgen Tveit Senior 0:39

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