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- Fairuz - Maux d'amourQuand la musique égyptienne écrasait tout le monde arabe, une seule voix a su se faire entendre face à ce long hégémonisme, elle venait du Liban. C'est Fairouz, qui signifie turquoise, Nouhad Haddad de son vrai nom, connue pour une voix ample. Fairouz a interprété de tout, le style de Beyrouth qui a su adapter la grande mélodie d'Égypte, s'inspirer du classique européen et rénover le folkore libanais comme l'ont fait ses premiers et longtemps collaborateurs, les frères Rahbani, Mansour et Assi qui fut son mari. Ces Maux d'amour rassemblent toute la richesse musicale de la diva de Beyrouth pour qui son fils, le jazzman Ziad Rahbani, compose de plus en plus de musiques hardies. --Bouziane Daoudi
01. Le Beirut
02. Laeb Al Rishah
03. La Tinsa...Ana Hona
04. Mush Kissa Hai
05. Habaitak Ta Nesset Al Naoum
06. Oudak Rannan
07. Khaleek Bilbait
08. Houmoum Al Hob
09. Mish Kayan Hayek T'Koun
10. Sallimleh Alayh
11. W'Kameh
12. Al Thaniah
FLAC tracks (EAC Rip): 320 MB | MP3 - 320 kbs: 130 MB | Covers
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Переслать - Ghazal - The Rain
Since its formation in 1997 by Shujaat Husain Khan and Kayhan Kalhor, long recognized as master musicians in their homelands, Ghazal has stunned audiences around the world with its unique music, which is comprised of improvisations based on Indian and Persian traditional repertoire. Their communicative power is in full bloom on this live recording from Berne, Switzerland.
"Born in 1997, this ensemble created a series of albums over three subsequent years that merged Persian and Hindustani concert music into a new stream of classical balladry and improvisation. As satisfying as the studio recordings proved, none of those equal the pinnacle of beauty or concentrated metaphysic disclosed in The Rain, a live recital from May 28, 2001 in Bern, Switzerland. Released by ECM Records, international watchdog for established top-end performers breaking from tradition, it was perhaps only a matter of time before Ghazal received the opportunity to have their experimental sound captured in palatial acoustic splendor." - Steve Taylor, RootsWorld (Read the complete article)
"Ghazal is the inspired fusion of Persian and Indian in the hands of Iranian kamancheh player Kayhan Kalhor and sitar player Shujaat Kahn. ... Sandeep Das joins them on tabla. There's a real historical sense in this meeting of cultures as Hindustani music came under a strong Persian influence during the Mughal period and the traditions share several modes and tunings, which are explored in this recording. But you don't need to know any of this to enjoy the music - it's the artistry and personality of the players that make it so seductive. The contrasting textures of the sinewy kamancheh and sparkling jangle of the sitar, the echoing and developing of phrases between the two players, the moments of repose and meditation rising to spectacular pyrotechnics. And the fine, understated vocals from Shujaat Khan. The music on this disc is architectural like the filigree screen on the cover - rich in ornament and detail, but sustained by arch-like structures." - Songlines
"This hypnotically beautiful marriage of Indian and Iranian classical music proceeds through impulsive echoes and flurries, the sitar's glistening jangle and the searing skitter of the spike fiddle rising as though through a vast cathedral-like space. ... While both musicians are adept in their traditions' complementary modes - ancient melodic structures - there is nothing dry or academic about the improvised music they make. Rather, it is superbly lyrical, full of fire and tenderness and highly accessible. Building quickly to the instrumental pyrotechnics that Westerners love, it leaves space for contemplation, employing non-Eastern musical ideas - the rhythmic imitation of rain and certain kinds of melodic repetition - in ways that will spark in the Western mind, but without a trace of gimmickry." - Daily Telegraph
(01) [Ghazal] Fire
(02) [Ghazal] Dawn
(03) [Ghazal] Eternity
Kayhan Kalhor : kamancheh / Shujaat Husain Khan : sitar, vocals / Sandeep Das : tabla
Three new works by this remarkable Iranian-Indian ensemble from a live performance
The pieces: Fire / Dawn / Eternity
FLAC (EAC Rip): 370 MB | MP3 - 320 kbs: 170 MB | Scans
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Переслать - Oum Kalthoum - SHAMS EL ASEILOum Kalthoum - Chams Al Assil
Composer: Riad al-Sunbati
Lyrics: Bayram al-Tunsi
Genre: Ughniyah
Maqaam: Hijaz kar
Alt. transcriptions: Shams il-asil
Recorded live 1955, Cairo Egypt
224 kbps including covers
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Переслать - Abdel Halim Hafez - Fouq ElchoukAbdel Halim Hafez
Al Andalib Al Asmar "The Dusky Nightingale". was the nickname of the most idolized Arabic artist-singer of the second half of the 20th century: Abdel Halim Hafez. His life resembles a true mosaic where all of his songs put together make up a fresco of love, patriotism, glory and grief. He was the idol of the young generations of the sixties and seventies, and remained so for the generations that followed. So much so that today, grand mothers compete with their grand children in their idolatry for the "Dusky Nightingale". Today, fully matured middle aged men are still overwhelmed by him as their prime youth was deeply marked by his unique and unmatched voice. He was practically born an orphan. It was in 1929 and the beginning of a grief stricken life III health and disease continuously dogged the artist until he died prematurely at the age of 48 in a London clinic. Sixteen movies and some hundred songs cannot possible, be enough to sum up and explain the Abdel Halim Hafez phenomenon. Halim, as his close friends used to call him was endowed with a rare charisma boosted by an outstanding intelligence and an amazing sensitivity and compassion which permeated the way he sang or played as an actor with prestigious stars such as Shadia, Faten Hamama, Maryam Fakhreddine, Sabah etc... Although a talented musician himself, he never composed the melodies of his songs. However, he enriched the work of his early collaborators namely kamal El Taweel, Mohamed El Mougui and later on Mohamed Abdel Wahab who was his close friend and his "accomplice" as well as Baligh Hamdi to name a few. He happened to sing songs whose lyrics sounded more like a trade-union manifesto but which turned into fiery passion through the magic of his voice...Imagine when he crooned love songs...
1. Fouq Elchouk
2. Ana Lak Alatoul
3. Esbbakni Ya Albi
4. Nar Hobbak Nar
5. El Layali
6. Ouloulou
7. Naam Ya Habibi
FLAC (EAC Rip): 330 MB | MP3 - 320 kbs: 150 MB | Scans
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Переслать - Без заголовкаGypsy musicians have always absorbed and transformed the many different styles of music that they encountered during their journey. But what might happen if young western European or American musicians did the same thing to Balkan Gypsy music? If they absorbed some of its spirit and infused it into their own scric world? Well, the answer lies in the album you're currently looking at.
Electric Gypsyland is a collection of reinterpretations/ re-inventions of tracks from three of the leading Balkan Gypsy bands (Crammed's mighty Taraf de Haidouks, Kocani Orkestar and Mahala Rai Banda), made by notorious fusionists (Balkan Beat Box, Oi Va Voi, Samdj. Shantel), by several mainstays of the new Balkan club scene (DJ Click, Forty Thieves Orkestar, Gaetano Fabri, Russ Jones, Russendisko), and by more unexpected contributors coming from totally different musical areas (Tunng, Animal Collective, Nouvelle Vague, 43 Skidoo feat. Susheela Raman, Buscemi and Shnne System). Also featured are many additional guest musicians (from Europe, Turkey, Africa). engaging in virtual jamming with the original players. While some of these pieces stay close enough to the originals and can be described as remixes. most are poetic re-inventions, works of pure imagination...
Also enclosed is a bonus CD including 12 of the best, original tracks by Taraf de Haidouks, Kocani Orkestar, Mahala Rai Banda & Zelwer.
Given the success of the unique first volume of Gypsytronica, Crammed Discs (6D in the States) initiated a second reworking of Balkan bands with club beats. This is no easy task. Anyway familiar with Eastern European jazz knows the chaotic rhythms induced by a blend of violins, accordions and tubas backed by various strains of Middle Eastern percussion. Some claim the Hungarian language, Magyar, to have been invented by aliens, considering it uses none of the regional roots as a foundation. Much the same can be said of the folk music.
The brilliance of Electric Gypsyland was in the importation of warm bass lines and strong kick drums to styles more dependent upon strings and horns. Live this music is incredibly danceable, but previous recordings never captured the luster. Thanks to a DJ/producer named Shantel that all changed. He launched his now legendary Bucovina Club party in Frankfurt after randomly dropping a Fanfare Ciorcarlia track in Brooklyn many moons ago, realizing there was a crowd ready for the Balkans. Polyrhythms no longer plagued the West.
With his help a host of producers applied their grooves to the songs of Romanian supergroup Taraf de Haidouks, an equally ambitious and dexterous Kocani Orkestar and a multi-generational collection dubbed Mahala Rai Banda. The first edition featured an incredible roster of remixers, including Mercan Dede, DJ Dolores, Senor Coconut and, obviously, a few by Shantel. His reworking of "Carolina" became a global club anthem, as well as "Iest Sexy," Mahala's recording debut. Gaetano Fabri's percussion-heavy texturing of "Siki Siki Baba" proved to be a third crowd favorite, while in between more abstract cuts (what else would we expect of Arto Lindsday?) played the perimeter.
We cannot call this second volume a sophomore slump as a few exceptional tracks arise. What does not exist, however, are anthems. No track has that lasting quality of the first; remixers hang toward the conceptual edge. New York-based Balkan Beat Box provide the most club-ready cut, not surprising considering their ability to heat a dance floor. Their tempering of Mahala's tuba-led "Red Bula" weaves just enough quirkiness into tight beats to leave an impression. DJ Click also does a good job at heading off "Romano Dance" with an excellent darbuka-laden base. And we would expect nothing less of Shantel than brilliance. His upbeat take on Taraf's "Duba Duba Si Hora" certainly has its merits.
There is no requirement for a remix record to be mandatory on the dance floor, and the criticism does not lie there. Within the context of the original Taraf, Kocani and Mahala material (as well as a tech-heavy take on French lyricist Zelwer) this volume just does not offer the originality of the first. Individual tracks range from mediocre to great, though many lean toward the first end of that scale. The selected remixers are interesting, ranging from the aforementioned to Brazilian chanteuse Cibelle, electro-Klezmerites Oi Va Voi and French interpreters Nouvelle Vague (who come through with a beautiful bossa take of Mahala's "Morceau D'Amour"). Gypsyland 2 has a cut-and-paste feel, and so becomes one of the many reasons iTunes exists. No harm exists in purchasing the entire album and creating your own Balkan voyage. The additional second disc of original source material makes it more than worthwhile. And there is no doubt little in this world is presenting that undefined land between East and West, the very meeting ground where South Asia tinged with Persia and Spain clashed with northern Europe, with such a cutting edge. We know well the political turmoil that region has been in for centuries due to multifarious citizenry (check out Budapest's current rebellion, for one). We should expect no different from the music, as it is the voice of the people. While confusion reigns supreme, they certainly know how to dance.
Disc: 1
01. Taraf De Haidouks :: Homecoming
02. Buscemi :: Alone At My Wedding
03. Mahala Rai Banda :: Oi Bori SujieKocani Orkestar
04. Mahala Rai Banda :: Red Bula (pick)
05. Mahala Rai Banda :: Romano Dance (pick)
06. Kocani Orkestar :: Mi Bori San Korani
07. Taraf De Haidouks :: Duba Duba Si Hora
08. Taraf De Haidouks :: A Rom And A Home
09. Cibelle :: Maxutu
10. Mahala Rai Banda :: The Man Who Drinks
11. Mahala Rai Banda :: Morceau D'Amour (pick)
12. Taraf De Haidouks :: Neacsu In Africa
13. Yuriy Gurzhy, Russendisko & Friends :: Immigrant Radio/Soldier Tufaiev Abroad
14. Taraf De Haidouks :: Go East
15. Kocani Orkestar :: Ismail Oro
16. Mahala Rai Banda :: Spoitoresa Revisited (Got The Parts Mix)
Disc: 2
01. Kocani Orkestar :: Cudna Zena
02. Kocani Orkestar :: Siki, Siki Baba
03. Kocani Orkestar :: L'Orient Est Rouge
04. araf De Haidouks :: Duba, Duba Si HoraT
05. Taraf De Haidouks :: Terno Chelipe
06. Taraf De Haidouks :: Cind Eram La '48
07. Taraf De Haidouks :: A La Turk
08. Mahala Rai Banda :: Spoitoresa
09. Mahala Rai Banda :: Lest Sexy
10. Mahala Rai Banda :: Romano Dance
11. Zelwer :: The Fiancee's Dream
12. Zelwer :: Soldier Tufaiev Gets Married
WV (EAC Rip): 830 MB | MP3 - 320 kbs: 310 MB | Covers
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Переслать - Dastan Ensemble & Shahram Nazeri
01 - Moghadameh (Introduction)
02 - Daramad (Première Mélodie D'un Dastgahinitial Melody Of A Dastgah)
03 - Masti Salamat Mikonad (Un Ivre Te Saluea Drunkard Hails You)
04 - Solo De Barbat (Barbat Solo)
05 - Tchaharmezrab (Forme Musicalemusical Form)
06 - Solo De Kamancheh (Kamancha Solo)
07 - Aragh (Partie D'un Dastgahpart Of A Dastgah)
08 - Zarbi Aragh (Partie Rythmique D'un Araghrhythmical Part Of An Aragh)
09 - Forud (Retour A La Note Initialereturn To The Starting Point)
10 - Ky July Tchaw Kajala (La Fille Aux Charmants Yeux De Bichethe Charming
11 - Aman Ba Lanjeo Lar (Prends-Garde A La Bien-Aimée Coquette - Watch Out For My Beloved - She's Flirtatious)
MP3 Bitrate: 227-232 kbps (VBR) Encoder: LAME 3.98
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