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WeLove-music
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Diga Rhythm Band
During a lull in activities with the Grateful Dead, percussionist and ethnomusicologist Mickey Hart joined with tabla player, Zakir Hussain, son of longtime Ravi Shankar accompanist, Alla Rakha, and students of the Ali Akbar College of Music to form the heavily percussive Diga Rhythm Band in 1975. Recording their sole album, Diga, in Hart's barn/studio in Novato, California, the 11-piece group was augmented by Jerry Garcia on guitar and Jim McPherson, Kathy McDonald and David Freiberg on vocals. One tune on the album, "Happiness Is Drumming (Fire on the Mountain) went on to be a staple at concerts by the Grateful Dead, the Other Ones and Hart's Planet Drum.

Formed as the Tal Vadya Rhythm Band in 1973, the group was renamed the Diga Rhythm Band following Hart's arrival two years later.

Hart severed his connection with the group after returning his focus to a re-energized Grateful Dead in 1976. He has continued to collaborate with Hussain, a charter member of Planet Drum. Other Diga Rhythm Band members who have remained active include tabla player Tor Dietrichson, who signed a solo contract with Global Pacific, and marimba player Jim Loveless, vibes player Ray Spiegel and duggi tarang and nal player Arshad Syed, who joined multi-ethnic fusion group, Ancient Future in 1993.

Originally released on the Grateful Dead's own label, Round records, Diga was released on CD in 1983 as part of a series of Hart-produced recordings issued by Rykodisc. ~ Craig Harris, Rovi

In each of Mickey Hart's albums, the artist submerges himself within a concept and reinvents himself through the project dujour. Hart's rhythmic journey as recorded in the studio has created some duds and crafted some gems. Fortunately, the Diga Rhythm Band produced one of his jewels. In this project, Hart's focus was on the sounds of India. That written, vibes and marimbas are the primary musical instruments on "Diga" -neither of which are Indian and no attempt is made to have them play Indian melodies. The absence of sitars on such a project almost seems odd. Unless the listener is expecting classical Indian sounds, this isn't necessarily a drawback. With respect to authenticity, Mickey Hart always produces his albums in a way that makes ethnic music more accessible to Western ears. In other words, this isn't Indian music, it's really World Music. When it came to the sounds of India, Hart's focus was on rhythm; the tablas are the main vehicle. 'Razooli' sounds like it could be an outtake from the Grateful Dead's "Blues for Allah." 'Sweet Sixteen' is so sugary, it's difficult not to describe it as 'World Pop.' Jerry Garcia plays 'Happiness Is Drumming' as if it were a prototype version of 'Fire on the Mountain.' In terms of rhythm, 'Magnificent Sevens' is the most accomplished composition. The song showcases the group's improvisation within the Diga Rhythm Band's most challenging arrangement. As a drum album, the percussion is stellar thanks in part to Zakir Hussain's nimble hands. Easy to listen to, "Diga" delivers Indian infused World Music.

1. Sweet Sixteen
2. Magnificent Sevens
3. Happiness Is Drumming
4. Razooli
5. Tal Mala

FLAC tracks (EAC Rip): 300 MB | MP3 - 320 kbs: 180 MB | Booklet Scans

Archives have 5% of the information for restoration

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Ramakant & Umakant Gundecha - Tears on a Lotus
Ramakant & Umakant Gundecha
Tears on a Lotus, 2002

Raga Gavati
1. Alap I
2. Alap II
3. Alap III
4. Alap IV
5. Dhrupad
Raga Shivranjani
6. Alap
7. Dhrupad

Umakant Gundecha - vocals
Ramakant Gundecha - vocals
Akhilesh Gundecha - pakhawaj

320 kbps including full scans

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Ramakant & Umakant Gundecha - Sattva
Ramakant & Umakant Gundecha
Sattva, 2005

Raga Behag
1. Alap
2. Jor
3. Jhalla I
4. Jhalla II
5. Dhamar
Raga Adana
6. Shiva (Dhrupad)

Umakant Gundecha - vocals
Ramakant Gundecha - vocals
Akhilesh Gundecha - pakhawaj
Shrikant Mishra - pakhawaj

320 kbps including full scans

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Joël Grare - Ensemble Paris - Istanbul - Shanghai

MP3 320 kbps - 123MB
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Takahashi Chikuzan - Tsugaru-Shamisen
Takahashi Chikuzan (高橋竹山) (born Takahashi Sadazō in 1910, died 1998) is a renowned Japanese Tsugaru-jamisen performer and composer.

He was born in Kominato, a village that is part of the Hiranai township in Aomori Prefecture. He lost his sight at around age two from measles before becoming a live-in apprentice of the Tsugaru-jamisen performer Toda Jūjirō near his home town. Before World War II he spent many years touring the Aomori and surrounding countryside, playing before doorsteps and making money any way he could. After the war he became more widely known, first as an accompanist for the famous Tsugaru folk song singer Narita Unchiku (who named him "Chikuzan"), and subsequently as a solo performer of the Tsugaru-jamisen repertory. His performances, for many years taking place regularly at a small venue called "Jan-jan" in Shibuya Ward of Tokyo, often featured long solo improvisations, which he entitled "Iwaki" after the tallest mountain in Tsugaru.

Rare genius, Takahashi Takeyama. Owned by the Crown from the audio source, a collection of musical heritage, and inspiring collection of music. The ultra-high quality remastering, Takeyama reproduce the true. The best of Tsugaru shamisen, the final board decision.

Takahashi chikuzan - Tsugaru-Shamisen Suits
Takahashi chikuzan - Tsugaru jonkara bushi
Takahashi chikuzan - Tsugaru jonkara bushi(secondar
Takahashi chikuzan - Tsugaru jonkara bushi
Takahashi chikuzan - Yasaburo bushi
Takahashi chikuzan - Tsugaru sansagari
Takahashi chikuzan - Tsugaru onto
Takahashi chikuzan - Tsugaru yosare bushi(Original)
Takahashi chikuzan - Tsugaru yosare bushi
Takahashi chikuzan - Tsugaru Oharabushi(Original)
Takahashi chikuzan - Tsugaru Oharabushi
Takahashi chikuzan - Ayuga sawa jinku
Takahashi chikuzan - Josanno yama
Takahashi chikuzan - Ringo bushi
Takahashi chikuzan - Tsugaru aiya bushi

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UMEKO ANDO - Ihunke
Umeko Ando is an elder Ainu (native Japanese) women singer. She appeared as a guest on Oki's last album, himself of Ainu descent. This album was produced by and features Oki, with Ando's haunting voice accompanied by Oki's tonkori (a traditional Ainu stringed instrument). An atmospheric album of a tradition that was in danger of dying out that is both accessible and beautiful. Doesn't sound necessarily Japanese, perhaps not surprisingly more central Asian, the roots of the Ainu themselves. Highly recommended.

01. Pekambe Uk
02. Ihunke
03. Futare Chuy
04. Iyomante Upopo
05. Kus Ep Kamuy
06. Rew Rew
07. Mukkuri (Jew's Harp) 1
08. Mukkuri (Jew's Harp) 2
09. Sarorun Rimse
10. Herutun Rutun
11. Saraba - Iya Ko Ko
12. Battaki
13. Hekuri Sarari
14. Chup Kawa Kamuy Ran
15. Yaisama
16. Atoy So Kata

320 kbps including Front Cover

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Fairuz - Chat Iskandaria
Shat Iskandaria (La Côte d'Alexandrie) chante la Rivera égyptienne, longtemps indolente et cosmopolite, comme le fut le Liban de la jeunesse de sa plus grande chanteuse, Fairouz. La diva, aux apparitions actuellement très parcimonieuses, a rassemblé autour de sa voix émouvante et de son chant ardent toute l'identité et l'imaginaire libanais. Des générations de chanteuses l'ont imitée mais jamais égalée parce que Fairouz réussit à faire de la chanson la plus éthérée une création suprême. -- Bouziane Daoudi

[01]. Shat Iskandaria
[02]. Ams Intahena
[03]. Fatahun Alai - Fairuz, Akel, S.
[04]. Rajeat Fi Al Massa L
[05]. Min Rawabina Al Amar - Fairuz, Akel, S.
[06]. Saied Al Hawa - Fairuz, Mohsen, M.
[07]. Yabki Wa Yadhak
[08]. Ya Zairi Fi Al Dhwha
[09]. Akoulu Litiflati
[10]. Kal Ya Baita Lana [Our Home]
[11]. Najmat Al Kutob

320 kbps including Covers

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