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- MIKA SHIGEMORI - Shijo no Hashi Kara- Miyako AsobiutaMika Shigemori is from Kyoto and is one of the best of the young generation of shamisen players, kouta (singers) and dancers. She has been much in demand for working on TV, and various collaborations with choreographers, flower arrangers and others. This is her first album on which she plays shamisen and is accompanied by two musicians on fue (flute) and hayashi (backing vocals). These 19 tracks are known as asobiuta, and are traditionally sung by Geisha. Simple, exquisite and beautifully played. Titles include Ageshio, Dangoe, Machiwabite, Aoyagi, Yarisabi, Sanosa and Shijo no Hashi Kara.
(01) AGESHIO
(02) DANGOE
(03) MACHIWABITE
(04) KAPPORE
(05) TSUNA HA JOUI WO
(06) AKEBONO
(07) AOYAGI
(08) YARISABI
(09) NAGASAKI BURABURA BUSHI
(10) DODOITSU
(11) OOTSU E
(12) [SHUTENDOUJI] NO THEME ~MIREI NI SASAGU~
(13) HAHHA KUDOKI
(14) USO TO MAKOTO
(15) GOSHO NO ONIWA
(16) SANOSA
(17) YAKKO SAN
(18) YOJOU NO HASHI KARA
(19) TAKASAGO
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Переслать - Ustad Amjad Ali Khan - SarodHe was all of 6 years old, when Amjad Ali Khan gave his first recital of Sarod. It was the beginning of yet another glorious chapter in the history of Indian classical music. Taught by his father and guru, the great Haafiz Ali Khan of Gwalior, Amjad Ali Khan was born to the illustrious Bangash lineage rooted in the Senia Bangash School of music. Today he shoulders the sixth generation inheritance of this legendary lineage.
After his debut, the career graph of this musical legend took the speed of light, and on its way the Indian classical music scene was witness to regular and scintillating bursts of Raga supernovas. And thus, the
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world saw the Sarod being given a new and yet timeless interpretation by Amjad Ali Khan. Khan is one of the few maestros who consider his audience to be the soul of his motivation.
As he once said, "There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote."
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He has performed at the WOMAD Festival in Adelaide and New Plymouth, Taranaki in New Zealand, WOMAD Rivermead Festival in UK, Edinburgh Music Festival, World Beat Festival in Brisbane, Summer Arts Festival in Seattle, BBC Proms, International Poets Festival in Rome, Shiraz Festival, UNESCO, Hong Kong Arts Festival, Adelaide Music Festival, 1200 Years celebration of Frankfurt and Schonbrunn in Vienna.
In the matter of awards, Amjad Ali Khan has the privilege of winning the kind of honours and citations at his relatively young age, which, for many other artistes would have taken a lifetime. He is a recipient of the UNESCO Award, Padma Vibhushan (Highest Indian civilian award), Unicef's National Ambassadorship, The Crystal Award by the World Economic
Forum and Hon'ry Doctorates from the Universities of York in 1997, England, Delhi University in 1998, Rabindra Bharati University in 2007, Kolkata and the Vishva Bharti (Deshikottam) in Shantiniketan in 2001. He has represented India in the first World Arts Summit in Venice in 1991, received Hon'ry Citizenship to the States of Texas (1997), Massachusetts (1984), Tennessee (1997), the city of Atlanta, Georgia (2002), Albuquerque, NM (2007)and the Key of the City of Tulsa, Oklahoma (2007). April 20th, 1984 was cleared as Amjad Ali Khan Day in Boston, Massachusetts. In 1995, Mr. Khan awarded the Gandhi UNESCO Medal in Paris for his composition Bapukauns. In 2003,the maestro received "Commander of the Order of Arts and letters" by the French Government and the Fukuoka Cultural grand prize in Japan in 2004.
He represented India in the first World Arts Summit in Venice, received Hon'ry Citizenship to the States of Texas, Massachusetts, Tennessee and the city of Atlanta. April 20th, 1984 was declared as Amjad Ali Khan Day in Boston, Massachusetts. In 1995, Mr. Khan was awarded the Gandhi UNESCO Medal in Paris for his composition Bapukauns.
His collaborations include a piece composed for the Hong Kong Philharmonic Orchestra conducted by Yoshikazu Fukumora titled Tribute to Hong Kong, duets with gutarist Charley Byrd, Violinist Igor Frolov, Suprano Glenda Simpson, Guitarist Barry Mason and UK Cellist Matthew Barley. He has been a visiting professor at the Universities of Yorkshire, Washington, North Eastern and New Mexico. BBC Magazine had voted one of his recent CDs titled 'Bhairav' among the best 50 classical albums of the world for the year 1995. In 1994, his name was included Biographical in International Directory of Distinguished Leadership, 5th edition. In 1999, Mr. Khan inaugurated the World Festival of Sacred Music with His Holiness the Dalai Lama. In 1998, Khan composed the signature tune for the 48th International Film Festival. In March 2002, Mr. Khan released his Carnegie Hall concert recording, Sarod for Harmony-Live at Carnegie Hall to commemorate his fiftieth performing year. In 2003, Maestro Amjad Ali Khan performed for His Royal Highness Prince Charles at his Highgrove Estate for the second time after earlier recitals in 1989, 1995 and 1997(at St. James Palace).
He has been a regular performer at the Carnegie Hall, Royal Albert Hall, Royal Festival Hall, Kennedy Center, Santury Hall (First Indian performer), House of Commons, Theater Dela Ville, Muee Guimet, ESPLANADE in Singapore, Palais beaux-arts, Mozart Hall in Frankfurt, Chicago Symphony Center, St. James Palace and the Opera House in Australia.
In his case, the term 'beauty of the Ragas' acquires a special meaning as he has to his credit the distinction of having created many new Ragas. It is love for music and his belief in his music that has enabled him to interpret traditional notions of music for a new refreshing way, reiterating the challenge of innovation and yet respecting the timelessness of tradition.
Two books have been written on him. The World of Amjad Ali Khan by UBS Publishers in 1995 and Abba-God's Greatest Gift To Us by his sons, Amaan and Ayaan published by Roli Books-Lustre Publications in 2002. A documentary on Mr. Khan called Strings for Freedom won the Bengal Film Journalist Association Award and was also screened at the Ankara Film Festival in 1996.
In 2007, Mr. Khan featured in the Southbank Centre's recently launched the Royal Festival Hall hoardings project 'Rankin's Front Row', where his photograph is included in the frieze that will run the length of the river façade of the Royal Festival Hall. This year see the premier of Samagama Sarod Concerto with Conductor David Murphy and the Scottish Chamber Orchestra. Khan performed at the Central Hall of the Indian Parliament on the commemoration of India's 60th year of Independence in 2007.
In 2009, Mr. Khan presented his Sarod concerto Samagam with the Taipei Chinese Orchestra. This year also sees the collaboration with Guitarist Alvaro Pierri. Recently, Amjad Ali Khan was nominated for a Grammy award in the best traditional world music album category. Khan has been nominated for the album 'Ancient Sounds', a joint-venture with Iraqi oud soloist Rahim Alhaj. Recently, the Khans collaborated with American Folk artist Carrie Newcomer at Lotus Arts Festival in Bloomington.
Married, with two sons, Amaan Ali Khan and Ayaan Ali Khan are well known names in the music scene and are the seventh generation of musicians in the family. 'Coming Masters' as the New York Times calls them. Amjad Ali Khan's wife Subhalakshmi Khan has been a great exponent of the Indian classical dance, Bharatnatyam, which, she sacrificed for her family. As a soul, so in his heart, he is a man who has proven his indomitable belief in the integration of two of life's greatest forces, love and music. He is a living example of a man who practices that integration each day of his life, both on stage and off stage.
1. Rägs Pilü and Kirwäni
2. Räg Khammäj-Rägmälä-Dhün
Amjad Ali Khan (Sarod)
Zakir Hussain (Tabla)
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Переслать - Shankar - Soul SearcherThough rooted in the traditions of North Indian classical music, this album adds a subtle modern twist that makes it more digestible to Western ears. Soul Searcher consists of one 50-minute track that swells and recedes, evolving into an epic composition of almost otherworldly beauty. The music combines all the common elements of traditional Indian music -- syncopated tabla rhythms, droning tamboura, dazzling vocals -- with Shankar's breathtaking violin melodies, then adds keyboards courtesy of Peter Gabriel, who featured the violinist's talents prominently on Passion. Indian music has always had an influence over Western rock & roll bands, from the Beatles and Rolling Stones to Monster Magnet, and Soul Searcher is a wonderfully accessible introduction for newcomers looking to delve into the genre. ~ Bret Love, All Music Guide
Track Title
Ragam Tanam Pallavi/Ragam: Kapi/Seethalakshemi Talem: 6 3/4 Beats
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Переслать - The Very Best of Soulful SufiFor hundreds of millions of Sufi followers worldwide, music is at the heart of their tradition and a way of getting closer to God. From the Whirling Dervishes of Turkey to the Qawwali music of Pakistan, Sufism has produced some of the world's most spectacular music celebrated by Muslims and non-Muslims alike. This album traces the shared roots of Christianity and Islam in the Middle East and discovers Sufism to be a peaceful, tolerant and pluralistic bulwark against fundamentalism.
CD1:
01.A.R. Rahman – Khwaja Mere Khwaja
02.Sonu Nigam & Shreya Ghoshal – Shukran Allah
03.Kailash Kher – Chaandan Mein
04.Javed Ali – Jashn-E-Bahaaraa
05.Tochi Raina, Amitabh Bhattacharya & Raman Mahadevan – Iktara (Male Version)
06.Nusrat Fateh Ali Khan – Afreen Afreen
07.KK – Dil Ibaadat
08.Shilpa Rao & Amitabh – Ek Lau
09.Rahat Fateh Ali Khan – Mann Ki Lagan
10.Kailash Kher – Allah Ke Bande
11.Shafqat Amanat Ali – Mitwa
12.Murtuza-Qadir, Amitabh & Amit Trivedi – Ha Raham (Mehfuz)
CD2:
01.Salim Merchant – Ali Maula
02.Rahat Fateh Ali Khan & Shreya Ghoshal – Teri Ore
03.Javed Ali – Tu Hi Haqeeqat
04.Kailash Kher – Saiyyan
05.Roopkumar Rathod – Maula Mere Maula
06.Rahat Fateh Ali Khan – Zindagi Ye
07.Roopkumar Rathod – Teri Justajoo
08.Rekha Bharadwaj – Tere Ishq Mein
09.Rahat Fateh Ali Khan – Jiya Dhadak Dhadak
10.Kailash Kher – Teri Deewani
11.Khuda Kay Liye – Bandya
12.Nusrat Fateh Ali Khan – Ali Da Malang
13.Khuda Kay Liye – Allah Hoo
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Переслать - Japanese Folk SongsPercussionist, composer, singer, flautist - Joji Hirota joyously eludes definition. Trained as a classical musician in Japan, he has now spent over half his life in England freely blending instruments and influences to create a music that is uniquely his own. His flute sounds like singing, his singing sounds instrumental and his drums sound like nothing on earth.
Joji Hirota here presents a collection of traditional folk songs. They range from fishing songs to babysitter lullabies, largely from the Edo period, prior to the influences of Western music on Japanese forms. The album opens simply enough with a very nice vocal outpouring, mixed with a surprising element -- a Western classical ensemble aiding Hirota's efforts. Even more surprising given the intentional avoidance of Western influences is the choice of musical selections. Four variations of a traditional song related to the enjoyment of the cherry blossom blooms are presented next, based themselves in part on the same source material as Madam Butterfly. A small children's chorus is added in for a medley of kids songs (surprisingly mournful), and a more contemporary composition from the blind composer Michio Miyagi. The songs bounce around a bit more, from traditional rice-harvest songs to original compositions from Hirota. When Hirota is let loose on an instrument, he tends to shine -- his shakuhachi is excellent, his vocals are mournful. The inevitable mix with Western instrumentation tends to dampen the mood, however, everything here comes across as sad and tired, and most of all, Western, operatic almost. Hirota has produced some other albums, which may be of more immediate interest to listeners looking for their first taste of Japanese folk music. This album has its merits, but they are more difficult to extract. For crossover appeal, though, there are perhaps other artists who would be better choices. ~ Adam Greenberg
(01) [Joji Hirota] Solan Bushi
(02) [Joji Hirota] Sakura Variations
(03) [Joji Hirota] Kodomo No Uta Medorei
(04) [Joji Hirota] Haru No Umi
(05) [Joji Hirota] Esashi Oiwake
(06) [Joji Hirota] Komori Uta
(07) [Joji Hirota] Kokiriko Bushi
(08) [Joji Hirota] Jawa Kai Noi Shima Jima
(09) [Joji Hirota] Komoro Mago Uta
(10) [Joji Hirota] Takeda No Komori Uta
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Переслать - FLAMENCOA compelete view of the latest trends to the greatest classics. This compilation is definitely the best flamenco collection sung by artists.
(01) Fandangos
(02) Taranto, Son Son Sera
(03) Jaleo, Solea
(04) Jaleo, Me Va
(05) Zambra
(06) Alegrias
(07) Jaleo, Espera, Rumba
(08) Improvisando
(09) Omenaje A Enrique El Mellizo
(10) Fiesta En Sevilla
(11) Destellos Flamencos
(12) Campanas Gitantas
(13) Granada Arabe
(14) Gitanos Del Albaicin
1-7
LA POCHA Y SU DE FLAMENCO
LA POCHA : bailaora
PILAR CARMONA, PONCHI GUERRERO, VERONICA : bailaoras
PACO DE ANTEQUERA, RAFAEL ALARCON : guitarristas
ANGEL Y CAITO : cantaores
8-14
SABICAS (Guitar)
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