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WeLove-music
Music of the World speaks of peoples with their unique originality and of Mankind in all its precious diversity. Are you interested in World Music? If so - let's keep in touch!
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Abdel Halim Hafez - The Anthologies
Abdel Halim Hafez
Al Andalib Al Asmar "The Dusky Nightingale". was the nickname of the most idolized Arabic artist-singer of the second half of the 20th century: Abdel Halim Hafez. His life resembles a true mosaic where all of his songs put together make up a fresco of love, patriotism, glory and grief. He was the idol of the young generations of the sixties and seventies, and remained so for the generations that followed. So much so that today, grand mothers compete with their grand children in their idolatry for the "Dusky Nightingale". Today, fully matured middle aged men are still overwhelmed by him as their prime youth was deeply marked by his unique and unmatched voice. He was practically born an orphan. It was in 1929 and the beginning of a grief stricken life III health and disease continuously dogged the artist until he died prematurely at the age of 48 in a London clinic. Sixteen movies and some hundred songs cannot possible, be enough to sum up and explain the Abdel Halim Hafez phenomenon. Halim, as his close friends used to call him was endowed with a rare charisma boosted by an outstanding intelligence and an amazing sensitivity and compassion which permeated the way he sang or played as an actor with prestigious stars such as Shadia, Faten Hamama, Maryam Fakhreddine, Sabah etc... Although a talented musician himself, he never composed the melodies of his songs. However, he enriched the work of his early collaborators namely kamal El Taweel, Mohamed El Mougui and later on Mohamed Abdel Wahab who was his close friend and his "accomplice" as well as Baligh Hamdi to name a few. He happened to sing songs whose lyrics sounded more like a trade-union manifesto but which turned into fiery passion through the magic of his voice...Imagine when he crooned love songs...

Abdel Halim Hafez - Anthology 1950-1954

Track Listing

1. Lika
2. Zalem
3. Ala Ad El Shou
4. Ta'ali Aoolek (Duet with Shadia)
5. Lahn El Wafa (Duet with Shadia)
6. Ahenn Elek

Abdel Halim Hafez - Anthology 1955-1959

Track Listing

1. Toba
2. Law Kont Yom Ala Albi
3. Sodfa
4. Kan Fi Zaman Qalbein
5. Tekhonouh
6. Bea' Albak
7. Abou Ouyon Gareaa

Abdel Halim Hafez - Anthology 1960-1964

Track Listing

1. Bi Amr El Hob
2. La Takzabi
3. Lastu Adri

Abdel Halim Hafez - Anthology 1965-1969

Track Listing

1. Fi Sekoun El Leil
2. Sawah
3. Ya Mughramin Ya Ashe'een
4. Gana El Hawa
5. Isterad El Talaba

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Falguni Mitra - Mood, Melody & Rhythm
Falguni Mitra
Mood, Melody & Rhythm, 2004

1. Jaijaivanti - Alap & Dhrupad Chautal: Dasaharaa mubarak
2. Desi - Dhamar: Jina chhuo morey acharavaa
3. Bhairavi - Dhrupad Jhaptal: Joyati durge maharaani

Falguni Mitra - vocals
Sanatan Goswami - harmonium
Tapash Das - pakhawaj

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Renaud Garcia-Fons Trio - Arcoluz
The virtuoso five-string bassist Renaud Garcia-Fons is widely regarded, not specifically as a contemporary jazz performer, but as a man of the world who proudly wears his ethnic and classical influences on his sleeve. Arcoluz (translated as "bow of light") is a triumphant world music endeavor, using Middle Eastern sounds melded with ECM-like Eurocentric soundscapes to make new music that is at once familiar, attractively exotic, and enthralling. Also featuring acoustic guitarist Kiko Ruiz and kit drummer/percussionist Negrito Trasante, this trio extracts the best of belly dancing, late-night séance, and trance music with ritualistic underpinnings and the overview of a wise man's soul. Expert sound engineer Walter Quintus adds to the perfection of this music, and is ostensibly a fourth bandmember. These tracks flow like dark and shimmering waters moving through lengthy tributaries that branch off in rich prismatic directions, with the journey greater than the actual final colorful destination. Another identifying quality is that of intuitive improvised common sense, honed by acute listening skills and guided by a universal center that knows no prejudice, boundaries, or emotional confinement. Garcia-Fons loves to bow his bass, whether in sharp, lively pizzicato dancing tones with handclaps for "Gitanet," the stretched arco legato style that haunts the 5/4 time signature of the Middle Eastern-flavored "40 Días," or the title track, all displaying the riveting technique of the leader. The most astounding sound is that of Ruiz, in essence a flamenco guitarist who extracts oud-like sounds out of his instrument, especially when Trasante is playing Arabic hand drums. "Berimbass" is clearly a fusion of the sonic textures of the berimbau with the bass of Garcia-Fons in a simple, energetic dance piece. The 14-minute "Anda Loco" has elements of East Indian music with the bowed bass sounding more like a soaring violin, while "Entremundo" is similar to something made by John McLaughlin's Shakti, floating in time and space via a mystical mood, then deliberately waltzing. Where Garcia-Fons excels playing solo, as on "Entre Continentes" with fleet spiky or trilled phrases, he is equally regal and romantic or heated and animated in a 6/8 midsection over nearly 13 highly developed and evolved minutes. There is an accompanying DVD of these tracks filmed in concert performance, as well as interviews and sidebar shots during the making of this music, with only French subtitles. To not know Garcia-Fons is to completely miss out on one of the truly great virtuoso performers of the modern era, but it only takes a few moments of sincere listening to experience a revelation or epiphany that may well be life-changing. ~

1. Arcoluz
2. Berimbass
3. Anda Loco
4. 40 Días
5. Gitanet
6. Entremundo
7. Entre Continentes

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Africa Worldwide
Africa Worldwide: 35th Anniversary Album
Tabu Ley Rochereau

One of the greatest stars of Zairean music with a career bridging decades. Light and precise soukous rhythms, Latin-inflected horns, rich harmonies and Tabu Ley's distinctly high nasal voice.

From Zaire, Tabu Ley Rochereau is the creator of the highly-danceable soukous style. Influenced by Cuban rhythms and rhumba music (which, of course, originated in Africa), Tabu Ley began recording in Africa in the late '50s. Over the next two decades, he rose in popularity to become one of the most revered musicians in the French-speaking world, and his influence as a trendsetter continues to this day. This 35th Anniversary Album is a newly-recorded "greatest hits" collection: a retrospective of many of Tabu Ley's most beloved songs played by his fiery Orchestre Afrisa International. Tabu Ley has assembled many of Zaire's brightest musical lights for the latest edition of his band, including singers Djeffard Lukombo Mayemba, Wawali Bonane Bungu, and Munoko Dodo Gisalu, and the remarkable lead guitarist Huit-Kilos.

01. Nairobi
02. Sala Noki Pascal
03. Cafe Rica
04. Lisanga Ya Bambanda
05. Likala Ya Moto
06. Africa Mokili Mobimba (Africa Worldwide)
07. Kimakanga To Libala
08. Christina
09. Marie Clara
10. Mokitani Ya Wendo
11. Ruffine
12. Ah! Congo

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