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- Unforgettable Sufis
Ustad Shujaat Husain Khan
Unforgettable Sufis
Unforgettable Sufis brings together the eternal poetry of mystic poets, Kabir Sahib and Hazrat Amir Khusrau. The evocative lyrics drawn from their poetry explore the myriad shades of love and spell the rich experience of musical ecstasy. The most fascinating aspect is that these renditions are blend with the melody of Indian Classical music, making this album a timeless gift of love for the yearning souls who long to be in communion with the divine. Kabir Sahib and Hazrat Amir Khusrau are among the greatest mystics who shared the rapture and bliss of being in love with the divinity. Their poetry resonates with the loving adoration towards God and fills the heart with devotion and surrender for the Guru who embodies God. Hazrat Amir Khusrau is also credited with enriching Hindustani classical music by introducing Persian and Arabic elements in it, and was the originator of the khayal and tarana styles of music. The invention of the tabla is also traditionally attributed to Hazrat Amir Khusrau. Both the Sufi mystic poets are held in high esteem all over the world.
Shujaat Husain Khan is perhaps the greatest North Indian classical musician of his generation. He belongs to the Imdad Khan gharana (tradition) of the sitar (lute) and is the seventh in the unbroken line from his family that has produced many musical masters. His style known as the gayaki ang, is imitative of the subtleties of the human voice.
Shujaat Husain Khan is the son and disciple of master sitarist Ustad Vilayat Khan. His musical pedigree continues back through his grandfather, Ustad Inayat Khan; his great-grandfather, Ustad Imdad Khan; and his great-great-grandfather, Ustad Sahebdad Khan - all leading artist of their generation.
At the age of three Shujaat began practicing on a specially made small sitar, and by the time he was six, the child prodigy started giving public performances. Since then he has performed at all the prestigious music festivals in India and has traveled around the world performing in Asia, Africa, North America and Europe. Shujaat Husain Khan has developed his own unique style of playing Indian classical music. His approach to rhythm is largely intuitive, fresh and spontaneous, always astonishing his audiences. He is also known for his exceptional voice, which he uses for singing folk songs and poetry.
Disc 1
(01) Humka Udhave
(02) Man Laago
(03) Chunri Mein Pad Gayo
(04) Moko Kahan Dhunde Re Bande
(05) Patta Bola Vriksh Se
(06) Rehna Nahi Is Desh Mein
Disc 2
(01) Chhap Tilak
(02) Piya Ghar Aaye
(03) Sej Vo Sooni
(04) Tohri Surat Ke
(05) Instrumental Track - Medley
FLAC (EAC Rip): 820 MB | MP3 - 320 kbs: 370 MB | H.Q Scans
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Переслать - Enno Voorhorst Barrios, Guitar Works
Enno Voorhorst
Barrios, Guitar Works, 2006 (1994)
Guitarist Enno Voorhorst has recorded a recital of pieces by the Paraguayan composer Barrios. This is repertoire typically written for the instrument and well-known to any guitarist. These compositions demand a great deal of technical skill from the performers. Not without reason Barrios was nicknamed "Paganini of the guitar from the jungle of Paraguay."
Enno Voorhorst was born in 1962 in The Hague and grew up in a family of musicians. At an early age he started playing violin and combined this later with playing the guitar. He was taught by Hein Sanderink, Hubert Käppel and David Russell. In 1987 he won first prize at the 7th guitar competition at Hof, Germany. Some more prizes followed like the Dutch Guitar Prize in 1992 in the Amsterdam Concertgebouw and, in the same year, first prize at the Seto-Ohashi competition in Japan. In the meantime he was being invited all over the world and toured through South America, Europe and Asia.
01. Waltz in D minor, Op. 8/3
02. Las Abejas (The Bees)
03. Julia Florida
04. Dinora
05. Waltz in D major, Op. 8/4
06. Una Limosna por el Amor de Dios ('El Ultimo Trémolo;' 'El Ultimo Canto')
07. Mabelita
08. Escala y Preludio
09. Estudio en Arpegio
10. Estudio in G minor
11. Estudio de concierto
12. Estudio del Ligado
13. Medallon antiguo
14. Gavota al estilo antiguo
15. Homenaje a Bach
16. Un Sueño en la Floresta
17. Estilo Uruguayo
18. Danza Paraguaya [No.1]
19. Jha che Valle (Danza Paraguaya No.2)
20. Cordoba (Suite Andina No.3)
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Переслать - Paul Mauriat – En Espana-Entre Dos AguasFrench composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."
Mauriat's ancestors were all classical musicians and he originally planned to follow in their footsteps, studying the music as a child and enrolling in the Conservatoire in Paris when he was ten years old. As a teenager, he became infatuated with jazz and popular music, which made him stray from his initial career path. At the age of 17, he formed an orchestra and began touring concert halls throughout Europe. These concerts earned him the attention of vocalist/songwriter Charles Aznavour, who hired Mauriat as an arranger and conductor. Through Aznavour, he began working with a variety of other French artists. For the remainder of the '40s and the '50s, he worked primarily as an arranger for other musicians.
Mauriat began a solo career in the early '60s, recording a series of instrumental albums that were distinguished by their sweeping, melodic strings and gently insistent contemporary rhythms. Using the pseudonym Del Roma, he co-wrote "Chariot," which became a hit for Petula Clark in 1962. The following year, the song was given a new, English lyric by Arthur Altman and Norman Gimbel and was recorded by Little Peggy March as "I Will Follow Him"; it became a number one hit in the U.S.
Throughout the '60s, Mauriat continued to record his pop instrumental albums, which became more popular as the decade progressed. His popularity peaked in 1968, when his version of "L'Amour Est Bleu" (Love Is Blue), which was Luxembourg's submission to the 1963 Eurovision Song contest, became an international hit, reaching number one on a number of charts, including America. The single was supported by Blooming Hits, an album that featured a selection of '60s pop hits; the album was massively popular and it is estimated that it sold in excess of two million copies worldwide. Mauriat became an international recording star, touring North and Latin America, Europe, and Japan, and making television appearances in several countries.
Although Mauriat's popularity dipped in the early '70s -- he only had two other U.S. hit singles, "Love in Every Room" and "Chitty Chitty Bang Bang," which were both minor -- he continued to sell respectably throughout the world, particularly in Europe. After the '80s his recorded output slowed as his Western audience dwindled, but in the Far East he found a loyal following. Tours of Russia, China, and Japan would continue until 1998 when the conductor gave his last live performance in Osaka. A year later, former lead pianist Gilles Gambus would become conductor of the orchestra, and then in 2005 French horn player Jean-Jacques Justafre would be handed the baton. On November 3, 2006, Mauriat died in the southern French city of Perpignan. ~ Stephen Thomas Erlewine & Kenneth M. Cassidy, All Music Guide
[01]. Entre dos aguas
[02]. La Paloma
[03]. Los Gitanos
[04]. Ojos De Espana
[05]. Taka Takata
[06]. Concierto de Aranjuez
[07]. Penelope
[08]. Malaguena
[09]. Vivo cantando
[10]. Granada
APE (EAC Rip): 200 MB | MP3 - 320 kbs: 80 MB | Covers
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