| rss2email.ru |
 Удобные штучки  |  Новости и события в фотографиях  |  Благотворительный фонд Чулпан Хаматовой  |  Интернет-журнал СуперИнвестор.Ru  |
 |  WeLove-musicMusic of the World speaks of peoples with their unique originality and of Mankind in all its precious diversity. Are you interested in World Music? If so - let's keep in touch! http://www.welove-music.net/ рекомендовать друзьям >> |
- Angelika Niescier & André Nendza - Holzlinienspiel
Angelika Niescier & André Nendza
Holzlinienspiel, 2000
Mit ihrem 1999 gegründeten Duo realisieren Angelika Niescier & André Nendza ihre kammermusikalischen Ambitionen.
Die erste CD „Holzlinienspiel" (Crecycle 01) verdeutlicht ein breites stilistisches Spektrum zwischen Jazz, folkloristischen Einflüssen, klassischer Musik und klanglichen Experimenten. Auch hinsichtlich der Instrumentation setzt das Duo auf Abwechslung. So werden neben Saxophon & Kontrabass auch Bassklarinette, Blekete, Bass-Slitdrum und Loop-delay geschmackvoll in die Kompositionen integriert.
Mit dem facettenreichen Programm ihrer ersten CD konnten Angelika Niescier & André Nendza überall dort, wo Musik als besonderes Konzerterlebnis präsentiert wird, sowohl Publikum als auch Kritik überzeugen. So spielte das Duo u.a. beim Festival „Sax-No end" im Kölner Stadtgarten, beim „Grenzklänge"-Festival in der Bonner Brotfabrik und auf den Internationalen Greitzer Jazztagen. Darüber hinaus übernahmen Niescier & Nendza die musikalische Rahmengestaltung bei der Verleihung des Künstlerinnenpreises NRW 2001. Hierbei kam es bei einem Lyrik-&Musik-Programm auch zu einer Zusammenarbeit mit Schauspielerinnen des Stadttheaters Krefeld.
1. Hej, hej (Traditional)
2. Der Nebensatz
3. Auf gelben Feldern
4. Intro / Crecycle
5. Tabla talk / Pyramiden
6. Ein polnisches Jazzabenteuer
7. Mit Sand
Angelika Niescier - alto & soprano saxophone
André Nendza - double bass, blekete
Raimund Engelhardt - tabla (5,7)
320 kbps including full scans
Part One
Part Two
Переслать - Charlie Mariano - Beauty
Charlie Mariano
Beauty, 2004
Charlie Mariano, who is now eighty-two, has always been a pioneer of beauty in jazz. Where other jazz musicians cause opposites to collide, working with syncopation and dissonance, he has always searched for the greatest possible harmony, and did so even though, at Charlie Parker's side, he was partly responsible for one of the greatest cultural clashes of the twentieth century. But Mariano was one of the very few who knew hot to transform the subversive energy of bebop into a spiritual urgency. When he was no longer able to strike gold in jazz alone, he sought and found new inspiration in Indian music. For Mariano, music functioned like a funnel with which he concentrated the maximum amount of positive tension into the smallest point possible. Any attempt to put his spirituality into words is bound to fail, because his sounds are scarcely tangible. An entire century culminates in Mariano's playing. He demands an entire ear, an entire listener.
What this old, wise man of the saxophone is now offering up to our ears, together with the Beirach on piano and the Hübner brothers on violin and bass, is the quintessence of all his musical expeditions of past decades. Naturally a seasoned expert like Mariano knows that he cannot answer all the fundamental questions of life himself. And hence the composition of this quartet is no coincidence. Beauty results not from the typical session acquaintances that can be so fatal in jazz: recording three takes each of eight pieces on two afternoons, only to go their own ways thereafter and then join up again a year and a half later for a joint tour. No, the Beauty quartet is part of a musical family tree that spans more than two generations. Richie Beirach is strongly marked by his teacher Charlie Mariano. He has manifested his view of profound beauty in sound in the bands of John Abercrombie and Dave Liebman, among others. Beirach was in turn mentor to the German musician Gregor Hübner, who lives in New York, and in a trio with George Mraz they enjoyed success with unconventional arrangements of compositions by Béla Bartók and Federico Mompou. Marino, Beirach, and Hübner were already working as a trio before they brought Hübner's brother Veit on board for additional grounding. That this constellation works at all lies not least in the contrasting timbres of saxophone and violin, which never get in each other's way, or even produce interference.
No matter whether the quartet is performance jazz standards or originals of its own composition, it produces a fundamental tone of cosmic harmony that causes us to forget the corset of profane genres and categories. Perhaps this music is jazz, because it is instrumental, and improvisation runs through all the pieces as an essential constant. But the shared inspiration promises a great deal more. Cultural set pieces, states of mind, and experiences from Europe, America, and Asia are here woven together in an unprogrammatic way that transcends epochs, so that the place of origin of a given attitude or idiom no longer matters at all. Rather, each individual note evokes a silent, undistorted desire for the next one. The music just happens, without regard to the expectations or habits of potential listeners. If this music can be called jazz at all it is because Mariano, Beirach, and the two Hübners return after an odyssey of more than a century to the origins of innocence that were probably inherent to it only in legend.
Three generations, with completely different experiences behind them, put together their three-dimensional image of beauty to create a mosaic that is so complex, homogeneous, dense, and yet transparent that it precludes even another word about it or any attempt to describe it. Anyone who has ears may listen. . . Perhaps it is out there after all, the beauty independent of the human sense, which comes as close to the divine as the pyramids, the music of Monteverdi and Bach, and the altarpieces of Jan van Eyck once did.
1. Randy
2. Waltz For Fee
3. Three Leaves
4. Plum Island
5. Elm
6. Nardis
7. My Foolish Heart
8. Rectilinear
9. Beauty
Charlie Mariano - alto sax
Gregor Huebner - violin
Richie Beirach - piano
Veit Huebner - bass
320 kbps including full scans
Part One
Part Two
Переслать - Kora Jazz Trio Part One
The meeting of three virtuosos of African music playing a Jazz tinted with tradittional sounds and feeling.
This is a pretty unusual jazz trio, formed by African musicians playing, apart from the piano, African instruments. The string sounds are from the kora, a traditional African harp that yields an almost Celtic harp sound. Without exception, all songs are excellent and the kora has an important part in the music. The songs are all joy and some have African lyrics. Some have a Caribbean beat or something like that. A must listen for those looking for different sounds, harp-related tunes and open to innovations without willing to being struck by experimentalist stuff as Zeena Parkins. By the way, the kora does not sound boring as we use to think of harp music, it actually reminds me of Jean Luc Ponty or even Pat Metheny.
01. Tabou
02. N'dyaba
03. Senef
04. Miriya
05. Now Is the Time
06. Goree
07. N'dimi
08. Mimi
09. Matamani
10. Nina
WV (EAC Rip): 390 MB | MP3 - 320 kbs: 150 MB | Scans
Archives have 5% of the information for restoration
WV
Part 1 | Part 2 | Part 3
OR MP3 320 kbps
Part 1 | Part 2
Переслать - Jihad Akl - Shiraz - A Violin Affair
Jihad Akl - Violinist
Jihad Akl was born in 1968 in Beirut, Lebanon. His father, Ahmad Said Akl, was a musician and a teacher. Jihad spent his childhood fascinated by the violin, which he learned from his father.
In 1974, at the age of 6, Jihad Akl won an estimation prize in a musical recital, from the occidental conservatory for the "Tournament of the Genius Kids".
From then on, his father endeavored to teach Jihad music and playing the violin in the most difficult circumstances of the civil war in Lebanon. During those years, there was no access to the Music Conservatory, and under very difficult conditions, the father, recognizing Jihad's gift for music, continued to coach and help Jihad to master his talent at home.
Jihad worked hard and consistently with his private teacher, studying musical notes, and playing the violin for 10 hours a day. He loved his instrument, and expressed his feelings through music, and thus the long journey to fame and success began, from humble beginnings and little resources.
[01].7th Sky
[02].Hot Chocolate
[03].Iman
[04].Persian Violin Dance
[05].Shiraz
[06].Ya Habibi
[07].Rabab
[08].Mon Amour
[09].Aatab
[10].The Mask of Zorro
[11].Malaguena
MP3 192 kbps including front cover
HERE
Переслать - Richard Galliano - Tango Forever LiveRichard Galliano (born December 12, 1950) is a French accordionist.
He was drawn to music at an early age, starting with the accordion at 4, influenced by his father Lucien, an accordionist originally from Italy, living in Nice.
After a long and intense period of study (he took up lessons on the trombone, harmony, and counterpoint at the Academy of Music in Nice), at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard on records the great trumpet player Clifford Brown. "I copied all the choruses of Clifford Brown, impressed by his tone and his drive, his way of phrasing over the thunderous playing of Max Roach." Fascinated by this new world, Richard was amazed that the accordion had never been part of this musical adventure.
Some later collaborations include George Mraz, Al Foster, Juliette Greco, Charles Aznavour, Ron Carter, Chet Baker, Enrico Rava, Martial Solal, Miroslav Vitouš, Trilok Gurtu, Jan Garbarek, Michel Petrucciani, Michel Portal, Eddy Louiss, Wynton Marsalis, and Toots Thielemans. He was a key member of Claude Nougaro's band for several years as a pianist and accordionist.
1. Libertango (Piazzolla)
2. Oblivion (Piazzolla)
3. Fuga Y Misterio (Piazzolla)
4. Milonga En Ay Menor (Piazzolla)
5. Buenos Aires Hora O (Piazzolla)
6. Opale Concerto Part 1(Galliano)
7. Opale Concerto Part 2(Galliano)
8. Opale Concerto Part 3(Galliano)
9. Oblivion Bis (Piazzolla)
Richard Galliano Accordéon, Accordina
Panstowa Orkiestra Kameralna
w Slupsku Sinfonia Baltica
Bohdan Jarmolowicz Dyrygent, Aranzacje.
Wieslaw Przadka Bandoneon.
Tomasz Tomaszewski Shrzypce.
Filip Wojcechowski Fortepian.
320 kbps including Front Cover, 140 MB
HERE
Переслать - Anouar Brahem - Astrakan CaféThe Tunisian oud genius has done it again. Anouar Brahem has issued only five records under his own name over the past decade, each more adventurous than the last, without compromising his original vision: for the music of his region to meet with the other music of Africa and Asia and create a delirious sound that is equal thirds past, present, and future, along the precipice of historical lineage. For Brahem there is no attempt to synthesize the globe, or even the sounds of the East with those of the West. He is content in his knowledge that sound is infinite, and that his tradition, as it evolves and expands into a deeper pan-African/trans-Asian whole, is more than large enough for a master musician to rummage through in one lifetime. Astrakan Café, the follow-up to his brilliant Thimar, is a smaller-sounding recording that reaches farther into the deep crags of the Balkans. With Barbaros Erköse on clarinet and the Indian and Turkish percussion stylings of the professor of somber precision, Lassad Hosni, Brahem's oud enters into a dialogue, musically, that has never before existed (though he has collaborated with both players previously). Erköse is a Turkish clarinetist of gypsy origin. His low, warm, rounded tones are consonant with the oud. Erköse plays equal parts music of the Balkan and Arab worlds with a tinge of the ancient klezmorim whispering their secrets through his horn. Despite the journeying these musicians do here, they never stray far from the takht, a small ensemble capable of improvising to the point of drunken ecstasy. Listening through Astrakan Café, you can hear the gypsy flamenco tied deeply to Indian ragas and even a kind of Eastern jazz. But there is no hyperactivity in it, no need to cram as many traditions as possible into one putridly excessive mix that expresses nothing but the novelty of the moment. Astrakan Café has many highlights: its two title tracks that have their roots in Russian and Azerbaijan music; "Ashkabad," which is an improvisation on a melody from the folk music of Turkmenistan; "Astara," a modal improvisation based on love songs from Azerbaijan; "Halfounie," a segment from a Brahem-composed soundtrack inspired by the medina or marketplace in Tunis; and "Parfum de Gitanie," which takes a fragment from Ethiopian sacred music, slows it to the point of stillness, and waxes lazily and jazzily over the top, with the oud and the clarinet trading syncopated eights. This is deeply personal, profound music. It is also highly iconographic, with timelessness woven through every measure. The only "exotica" on Astrakan Café is its "otherness" out of space and any discernable era. The tempos are languid and full of purpose, the dynamics clean and clearly demarcated, the tones and modes warm, rich, and linear. This would be traditional music if a tradition such as this -- which is original, though adapted from many sources on inspiration -- actually existed. Highly recommended ~ Thom Jurek, All Music Guide
[01]. Aube Rouge À Grozny
[02]. Astrakan Café (1) 3:15
[03]. The Mozdok's Train
[04]. Blue Jewels
[05]. Nihawend Lunga
[06]. Ashkabad 5:34
[07]. Halfaouine
[08]. Parfum De Gitane
[09]. Khotan
[10]. Karakoum
[11]. Astara
[12]. Dar Es Salaam
[13]. Hijaz Pechref
[14]. Astrakan Café (2)
FLAC (EAC Rip): 290 MB | MP3 - 320 kbs: 180 MB | Booklet Scans
Archives have 5% of the information for restoration
FLAC
Part 1 | Part 2 | Part 3
OR MP3 320 kbps
Part 1 | Part 2
Переслать - Omar Khairat - BanglesTrack Listing
-------------
1. In the Depth of Night
2. Bangles (The Beginning)
3. No More Talk
4. The Stranger
5. Bangles (The End)
6. A Storm in Spring
7. Young Wives, Pt. 1
8. Homely Secrets
9. Young Wives, Pt. 2
10. A Date with Destiny
192 kbps including Covers
HERE
Переслать - The Very Best Of Guitar Vol.1Track Listing
-------------
[01]. Still Got The Blues
[02]. Tunnel Of Love
[03]. I Shot The Sheriff
[04]. Samba Pa Ti
[05]. Smoking Gun
[06]. Oh Well
[07]. How Can We Hang To A Dream
[08]. White Room
[09]. Water Of Love
[10]. Confidence Man
[11]. Knockin On Heavens Door
[12]. Sunshine Of Your Love
MP3 VBR kbps including Back Scan only, 2007
HERE
Переслать - Flûtes-gasba du Nord-Est de l'Algérie. Airs pour gasba et bendir
Flûtes-gasba du Nord-Est de l'Algérie. Airs pour gasba et bendir,2008
The population diversity in North East Algeria makes it a true place of ethnic, linguistic and cultural blending. In Algeria, the rural world is deeply attached to the music related to the cults of the Saints. Associated to some secular songs, these musics liven up social events such as pilgrimages, birth, healing, end of harvest, weddings and baptism ceremonies etc...During those ceremonies the singers chant incantations vaticinating to a background of plaintive gasba melodies and haunting bendir rhythms.
The gasba (from the Arab "qasba" meaning "reed" and, in general sense, "reed flute") is a flute with a simple mouth hole. When accompanying a singer, flautists get as close as possible to his voice and melodic formulas. The bendir is intimately linked to the gasba, as it is its sole accompanying instrument. This frame-drum is approximately 50 centimeters in diameter and tensed with goatskind.
The gasba reed flute is one of the most emblematic instruments of traditional Algerian music, especially in the region of Annaba.
Contrary to its seemingly simple aspect, its practice, based on the continuous breathing technique, requires great dexterity. The gasba is played by the brotherhoods created around Marabouts, Islam's saints. Yet, the repertoire also comprises secular pieces, notably performed at wedding or baptism celebrations. Originated in age-old musical traditions, the gasba flutes recorded here —whether they accompany songs or are themselves accompanied by bendir frame-drums— are fascinating, with their beautiful, slightly plaintive tone colour and the jolly fervour of these musicians.
01. Hwa al-Gaïd Chabbi (Air Du Caïd Chabbi) 7'48
02. Hwa Mrabet Dib Chabbi (Air Du Marabout Dib Chabbi) 7'34
03. Hwa 'ajmi Chabbi mab'ouj (Air Pentatonique Altéré Chabbi) 5'38
04. Addit' la oued Seybousse (Je Passais Par Le Fleuve Seybousse) 4'31
05. Galet Khroubi (Elle Disait Khroubi) 7'07
06. Nawba Salihin (Nouba Des Saints) 7'37
07. Tahwissa suivi du Hwa oued Zenati (Ballade Suivie De L'Air De La Rivière Zenati) 5'08
08. Ouled Hmida (Les Enfants De La Tribu De Hmida) 5'58
09. Hwa Barbari khfif (Air Dit Beni Barbar) 4'16
10. Hwa ta' el - Ghoula û bentha (Air De L'Ogresse Et De Sa Fille) 5'38
11. Hwa tâ' Bnet el - Khalêt (Air Des Nièces) 6'59
12. Hwa 'ajmi feddaoui (Air Pentatonique Des Ouled El Fadda) 5'40
320 kbps including full scans
Part One
Part Two
Переслать - Isoqjon Jo'rahonov
Isoqjon Jo'rahonov, 2004
01. Ota-Onangi Rozi Qil
02. Otam Qani
03. Etim Bola
04. Onajon Kelmasmusiz
05. Erkalik Kimga Qilursan
06. Shafoatdan Nasib Eting
07. Qaydan Topay
08. Hurmatli Onang Aziz
09. Sog'insam Otajonim
10. Onajonim
11. Ey Mehribonlarim
12. Jon Qizim
13. G'iybat Qilma
Isoqjon Jo'rahonov - tar
320 kbps including full scans
Part One
Part Two
Переслать - HASSAN HAFFAR & LES MUNSHEDS D'ALEP'To sing is to seek oneself, and in seeking oneself, one finds God. To find God is to find oneself; in finding oneself, one loses oneself in Him, in the Breath of God, and comes at last upon the ultimate truth.' This text, which can be found on the back of Hassan Haffar's CD cover, expresses exactly what the muezzin of the great mosque in Aleppo , Syria means: to find truth through song. The muezzin Hassan Haffar is an expert in his field, but also a storyteller and poet. His exceptional voice has brought him fame, not only in his native Aleppo , but also internationally, as can be seen by the success of his CD Chants d'extase en Islam. Although he is regularly invited abroad with the Munshed Ensemble of Aleppo (the term munshed meaning specialists in songs of praise, particularly religious ones), he prefers not to travel a great deal and his performances are infrequent. His presence, therefore, at the Fes Festival of World Sacred Music with the Munshed Ensemble and in the company of Omar Sermini, another great voice from Aleppo , is a rare treat. The public will be able to appreciate the immense talent of these singers, who will be presenting, amongst other titles, Le Sceau des Prophètes, Savoir et Piété, Mélodies du Paradis, Jardin d'Eden, Joie Profonde and Là où tu seras.
[01]. Le sceau des prophètes
[02]. Musc divin
[03]. Rêve
[04]. Savoir et piété
[05]. Trait de beauté
[06]. Mélodies du paradis
[07]. Vin divin
[08]. Soleil de beauté
[09]. Sanctuaire
[10]. Beauté lumineuse
[11]. Flammes
[12]. Blâme
[13]. Jardin d'Eden
[14]. Cendres
[15]. L'etre unique
[16]. Ivresse de ma vie
[17]. Joie profonde
[18]. Layla
[19]. Un chantre s'est écrié
[20]. Pleine lune
[21]. Splendeur
MP3 192 kbps including Covers
HERE
Переслать - Radhika Miller - Here and FarawayFlutist Radhika Miller creates an album flavored with joy and sweet reflections, combining elements of world music, folk, Renaissance and impressionism. Here and Faraway is a union of great players, including Edgar Meyer, Mike Marshall, David Darling and Michelle Sell... ~ MusD, All Music Guide
[01]. Dam Up a River to Style Your Hair
[02]. Jungle Joy
[03]. I Once Loved a Lass
[04]. Romanian Nightingale
[05]. Reverence
[06]. I Gave My Love a Cherry
[07]. Singing Winds
[08]. Free Amalgamation
[09]. Moonlight Passing
[10]. Adoremus
[11]. The Water is Wide
[12]. Vignette
[13]. Here and Faraway
APE (EAC Rip): 180 MB | MP3 - 320 kbs: 105 MB | Booklet Scans
Archives have 5% of the information for restoration
APE
Part 1 | Part 2
OR MP3 320 kbps
HERE
Переслать - Oriental LoungeTrack Listing
-------------
[01]. Facing East - Thievery Corporation
[02]. Hanina [Jasmon Mix] - Jasmon feat. Mohammed Mounir
[03]. Valencia - Rachid Taha
[04]. Ride My Camel - Spy from Cairo
[05]. Trance Dance [DJ Krush Remix] - Hamid Baroudi
[06]. Sand & Stones & Bricks & Rocks - Aromabar
[07]. Mirrors and Windows - Cosmic Rocker
[08]. Belle - Alif Tree
[09]. Dunya - Karuan
[10]. Opium - Zeb
[11]. Caravane - Radar
[12]. Ana a Dounia - Le Grand Orchestre du Comptoir de Marrakech
[13]. Cleopatra in New York [Zim Zam Mix] - Nickodemus feat. Carol
[14]. Pharagonescia [Rise Ashen Remix] - Aiwa
[15]. Dub Yalil - Natacha Atlas
MP3 320 kbps including Covers
Part 1 || Part 2
Переслать - Oum Kalthoum - Oulida El houda"During the 1950s and 1960s Umm Kulthum expanded her role in Egyptian public life. She granted more interviews during which she spoke about her life, repeatedly identifying herself as a villager, a fallahah or peasant, who shared a cultural background and essential values with the majority of the Egyptian populace. Her interviews were full of stories of her family, her neighbors, and the familial qualities of village life.
She cultivated the position of spokeswoman for various causes. She advocated governmental support of Arabic music and musicians, she endowed a charitable foundation and, most importantly, after the Egyptian defeat in the 1967 war, she began a series of domestic and international concerts for Egypt. She travelled throughout Egypt and the Arab world, collecting contributions and donating the proceeds of her performances to the government of Egypt. These concerts were much publicized and took on the character of state visits. Umm Kulthum was entertained by heads of state, she toured cultural monuments, and, in interviews, repeated her views concerning the importance of support for indigenous Arab culture. More than a musician, she became 'the voice and face of Egypt'."
OULIDA ELHOUDA (Chant à l'occasion de la naissance du Prophète)
(Ahmed Shawqi - Riad el Soumbati)(Mode: Rast)
NAHJ ELBORDA (Chant de louange)
(Ahmed Shawqi - Riad el Soumbati) (Mode: Huzam)
MP3 320 kbps including Covers
HERE
Переслать - Golden Guitar Melodies Vol.2Track Listing
-------------
[01]. Before The Next Tearsdrops Fall
[02]. Roses Are Red
[03]. Stranger On The Shore
[04]. Begin The Begnine
[05]. Let It Be Me
[06]. Have You Ever Seen The Rain
[07]. El Condo Pasa
[08]. Love Is A Many Splendids Thing
[09]. Ginny Comes Lately
[10]. And I Love Her
[11]. He Will Have To Go
[12]. Close To You
[13]. Magic Is The Moonlight
[14]. The Breeze And I
[15]. Amore
[16]. Beyond The Reef
MP3 VBR kbps including CD scan only, 2007
HERE
Переслать - Anouar Brahem - ThimarThe oud is an ancient short-necked, plucked Arabic instrument. On Thimar, East meets West with oud instrumentalist Anouar Brahem along with jazz masters, saxophonist/bass clarinetist John Surman and bassist Dave Holland. The opener, "Badhra," commences with Surman's light as a feather soprano work while Holland and Brahem successively join the festivities as if they were doing one of those "let's introduce the band" exercises. "Taiwin" leans toward the Arabic end of the spectrum as Holland and Brahem perform Middle Eastern unison lines. Holland's rich, exuberant sound provides a huge bottom for Surman and Brahem while also providing tonal color and rhythmic balance. This attribute serves as an interesting contrast to Brahem's oud. "Mazad" features some extended ensemble work from the Trio. The muscular rhythmic pulse is provided by Holland and Brahem while Surman develops attractive themes with his fluid and crystal clear soprano work. Here, Surman's phrasing and nimble tone seems angelic and my! stical.
The entire recording is amiable, wonderfully produced and absorbing. The ever present Middle Eastern feel is always an underlying factor; however, Holland did his homework to devise and implement the unorthodox pulse required to pull this off. Surman rides the top and provides the nuance and thematic movements. The entire project is captivating yet at times seems innocent and humble as if this were a spiritual exercise. Either way you look at it Thimar is entertaining and impressive. There's a lot going on here. Recommended.
Track listing: Badhra; Kashf; Houdouth; Talwin; Waqt; Uns; Al Hizam Al Dhahbi; Qurb; Mazad; Kernow; Hulmu Rabia.
Personnel: Anouar Brahem: Oud: John Surman: Soprano Sax, Bass Clarinet: Dave Holland: Double-Bass.
FLAC(EAC Rip): 220 MB | MP3 - 320 kbs: 135 MB | Booklet Scans
FLAC
Part 1 | Part 2 | Part 3
OR MP3 320 kbps
HERE
Переслать - Yulduz Turdieva
Yulduz Turdieva
... the young Usbek singer Yulduz Turdieva. The 24-year-old won this year's "International Mugam Contest" in Baku, the most important competition of its kind.
01. Ey tir
02. Mavrigi (o'zbek)
03. Mavrigi (tojik)
04. Adolat tanovar
05. Beqasam
06. Tamanno
07. Aylagach
08. O'xshamas
09. Qaro bo'libdur
10. Azim daryo
320 kbps including full scans
Part One
Part Two
Переслать - Geir Lysne Listening Ensemble - Aurora Borealis. Suite for Big Band
Geir Lysne Listening Ensemble
Aurora Borealis. Suite for Big Band, 2002
2001 hatte Nils Landgren die künstlerische Leitung des Berliner Jazzfests übernommen und ein Programm zusammen gestellt, das die reichhaltige skandinavische Szene in den Mittelpunkt stellte. So verpflichtete er etwa das 19köpfige Geir Lysne Listening Ensemble (wo u.a. zwei Schlagzeuger, vier Trompeter, vier Posaunisten und fünf Saxofonisten wirken), und dieses bis dato unbekannte Ensemble versetzte die Jazzwelt in Staunen.
Die eigentlich hochkomplexe und dennoch angenehm zu hörende Jazz-Suite fordert den Hörer mit vertrackten Bigband-Arrangements und plötzlich losprustender Posaunen-Power. »AURORA BOREALIS« wirkt trotzdem zu keinem Zeitpunkt verkopft und erweitert den Jazz: So etwas hatte man bis dato einfach noch nicht gehört. Ein Debüt wie ein Paukenschlag.
1. Aurora Boreals Suite - Intro 2:29
2. Aurora Borealis Suite - Part I 9:01
3. Aurora Borealis Suite - Part II 12:26
4. Aurora Borealis Suite - Part III 16:19
5. Aurora Borealis Suite - Part IV (Coda) 7:26
320 kbps including cover scans
HERE
Переслать - Most Relaxing Classical Music In The World Ever!Track Listing
-------------
Disc 1
01. Sheep may safely graze (Cantata No. 208) (4.34) - Johann Sebastian Bach
02. Clarinet Concerto in A K622 - Adagio (6.35) - Wolfgang Amadeus Mozart
03. Concerto for Two Mandolins in G RV532 - Andante (2.47) - Antonio Vivaldi
04. Fantasia on a Theme by Thomas Tallis (Opening) (6.09) - Ralph Vaughan Williams
05. Piano Concerto No. 2 in C minor op. 18 - Adagio sostenuto (opening) (4.28) - Sergei Rachmaninov
06. Memories of the Alhambra (3.54) - Francisco Tarrega
07. Cello Concerto in E minor Op. 85 - Adagio (5.14) - Edward Elgar
08. The Fellowship (From the film The Lord Of The Rings: The Fellowship of the Ring) (5.51) - Howard Shore
09. The Lark Ascending (opening) (6.22) - Vaughan Williams
10. Agnus Dei (from The Armed Man: A Mass For Peace) (3.36) -
11. 'Emperor' Concerto Op. 73 - Adagio (6.59) - Ludwig Van Beethoven
12. Violin Concerto No. 1 in G minor Op. 26 - Adagio (Opening) (4.22) - Max Bruch
13. Voca Me (4.48) -
14. Nimrod (from 'Enigma' Variations) (3.55) - Edward Elgar
15. Symphony No. 6 in F 'Pastrol' Op. 68 - Allegretto (Shepherds' Hymn after the Storm) (6.43) - Ludwig Van Beethoven
Disc 2
01. Gabriel's Oboe (from the film The Mission) (2.12) - Ennio Morricone
02. Air 'on the G string' (from Suite No. 3 in D, BWV1068) (3.31) - Johann Sebastian Bach
03. Morning (from Peer Gynt Incidental Music Op. 23) (4.15) - Edvard Grieg
04. Balcony Scene (from the film William Shakespeare's Romeo & Juliet) (5.17) - Armstrong, De Vries & Hooper
05. Canon in D (4.59) - Johann Pachelbel
06. Gymnopedie No. 1 (Lent et douloureux) (3.31) - Erik Satie
07. Clair de lune (from Suite bergamasque) (5.10) - Claude Debussy
08. Schindler's List Theme (from the film Schindler's List) (5.02) - John Williams
09. Rhapsody on a Theme of Paganini - Variation 18 (2.57) - Sergei Rachmaninov
10. Adagio for Strings Op. 11a (6.20) - Samuel Barber
11. Piano Sonata No. 14 in C sharp minor 'Moonlight' Op. 27 No. 2 - Adagio sostenuto (extract) (3.55) - Ludwig Van Beethoven
12. Symphony No. 9 'From the New World' - Largo (opening) (4.43) - Antonin Dvorak
13. Romance (from the film The Gadfly) (3.12) - Dmitri Shostakovich
14. Piano Concerto in A minor - Adagio (6.29) - Edvard Grieg
15. Cavatina (from the film The Deer Hunter) (3.14) - Stanley Myers
16. O mio babbino caro (from Gianni Schicchi ) (2.04) - Giacomo Puccini
17. Venus (from The Planets) (conclusion) (6.14) - Gustav Holst
Disc 3
01. The Four Seasons - Concerto No. 4 in F minor 'Winter' (Largo) (2.09) - Antonio Vivaldi
02. Serenade in G 'Eine kleine Nachtmusik' K525 - Romanza (Andante) (5.43) - Wolfgang Amadeus Mozart
03. Double Violin Concerto in D minor BWV1043 - Largo ma non tanto (Opening) (2.33) - Johann Sebastian Bach
04. Miserere mei, Deus (extract) (4.31) - Gregorio Allegri
05. Violin Concerto in E minor Op. 64 - Andante (extract) (4.26) - Felix Mendelssohn
06. Jesu, Joy Of Man's Desiring (from Cantata No. 147) (3.28) - Johann Sebastian Bach
07. Pavane (6.47) - Gabriel Faure
08. Dome epais (Flower Duet from Lakme) (3.27) - Leo Delibes
09. Flute and Harp Concerto in C K299 - Andantino (extract) (3.57) - Wolfgang Amadeus Mozart
10. Lascia ch'io pianga (from Rinaldo) (4.33) - Frideric George Handel
11. Guitar Concerto in D - Largo (6.05) - Antonio Vivaldi
12. Piano Concerto No. 21 in C 'Elvira Madigan' K467 - Andante (Extract) (5.18) - Wolfgang Amadeus Mozart
13. Pie Jesu (from Requiem) (3.31) - John Rutter
14. Entr'acte to Act 3 (from Carmen) (2.32) - Georges Bizet
15. Piano Concerto No. 1 in E minor Op. 11 - Romance: Larghetto (opening) (3.50) - Fryderyk Chopin
16. In Paradisum (from Requiem Op. 48) (3.44) - Gabriel Faure
17. 'Pathetique' Sonata Op. 13 - Adagio cantabile (5.26) - Ludwig Van Beethoven
18.Intermezzo (from Cavalleria rusticana) (3.42) - Pietro Mascagni
Disc 4
01. Zion hort die Wachter singen (from Cantata No. 140) (Sleepers, Wake!) (3.26) - Johann Sebastian Bach
02. Adagio in G minor (realised Giazotto) (extract) (5.49) - Tomaso Albinoni
03. Keyboard Concerto No. 5 in F minor BWV1056 - Largo (3.24) - Johann Sebastian Bach
04. Confutatis (from Requiem) (2.52) -
05. Dance of the Blessed Spirits (from Orpheus and Eurydice) (2.12) - Christoph Willibald Gluck
06. Water Music - Air from Suite No. 1 in F (4.40) - Frideric George Handel
07. Fantasia on 'Greensleeves' (from Sir John in Love) (4.37) - Vaughan Williams
08. Gnossienne No. 1 (3.23) - Erik Satie
09. The Swan (from The Carnival of the Animals) (3.15) - Camille Saint-Saens
10. The Ashokan Farewell (5.07) -
11. Cantique de Jean Racine (5.10) - Gabriel Faure
12. Nocturne in C sharp minor Op. Posth. (4.21) - Fryderyk Chopin
13. Ombra mai fu (Largo) (from Serse) (2.38) - Frideric George Handel
14. Concierto de Aranjuez - Adagio (opening) (4.44) - Joaquin Rodrigo
15. Pie Jesu (from Requiem) (2.50) - Andrew Lloyd Webber
16. Meditation (from Thais) (5.02) - Jules Massenet
17. Piano Concerto No. 2 in F Op. 102 - Andante (6.06) - Dmitri Shostakovich
18. Symphony No. 5 in C sharp minor - Adagietto (conclusion) (3.06) - Gustav Mahler
19. My Heart Will Go On (From the film Titanic) (4.21) - James Horner
MP3 256 kbps including Covers
Archives have 3% of the information for restoration
Part 1 | Part 2 | Part 3 | Part 4
Переслать - The Pulse of AfricaAn interesting concept album from the folks at ARC. Pulse of Africa focuses on drumming traditions of the continent, as many albums do, but there's a catch. Here, they not only focus on drumming, but do so to the point of exclusion of all vocals and other non-percussion instruments (marimbas are occasionally used, but sparingly). The works are completely stripped down from any full musical context and only the beat itself is left. On rare occasions, a small flute takes the place of the vocal lines, but in general it's left to the drums alone. This can work well to highlight the complexity of a number of styles (à la Master Drummers of Burundi), but at the same time it can set the album up for a fall, if the pieces chosen generally have more complexity to them, and the drums are largely the backing portions. This seems to be the case for a number of works here. As such, the album is somewhat interesting in its own right, but isn't the most energetic or even necessarily the most listenable of the multitude of African drumming albums on the market. For those who enjoy rarities, incidentally, it does include a couple of interesting works on a Zulu friction drum and a seldom-heard Venda drum. ~ Adam Greenberg, All Music Guide
01 Wo Mawu (Anlo-Ewe, Togo, Ghana)
02 Ngungu (Zululand)
03 Eboka (Bolamba Pygmies from Congo)
04 Basoga Lusoga (Uganda)
05 Mala (Senegal, Mali, Guinea, Gambia)
06 Soului (Accra Ghana)
07 Gboko Lia Yayari Kpamo (Central African Republic)
08 Nxai (Kalahari Bushman, Botswana)
09 Unwabu (Swaziland, Xhosa, Zulu)
10 Baba (Nguni-Xhosa, South Africa)
11 Zima Gaza Koo (Manza Music, Central African Republic)
12 Kekebu (Shangaan from Mozambique, South Africa)
13 Domba (Vanda, Northern South Africa)
14 Yolo Male (Central African Republic)
15 Mabo (BaKa Pygmy - Cameroon, Congo, Central African Republic)
16 Eshe Eyele (Yoruba from Nigeria, Benin, Togo)
17 Zanga (Mbum, Central African Republic)
18 Ibhungane (Zulu, South Africa)
APE (EAC Rip): 300 MB | MP3 - 320 kbs: 150 MB | Front Cover
APE
Part 1 | Part 2 | Part 3
OR MP3 320 kbps
Part 1 | Part 2
Переслать - Omar Khairat - Arabian Rhapsody
Omar Khairat, Abu-Baker Khairat Orchestra,
Arabian Rhapsody
Track Listing
-------------
[01]. Neighbour
[02]. Slumber in Honey
[03]. The Meeting
[04]. Love and Aggression
[05]. 100 Years of Cinema
[06]. The Era Knights
[07]. The Love scene
[08]. Law Of Islam
[09]. Arabian Rhaspody 1
[10]. Arabian Rhaspody 2
192 kbps including Covers
HERE
Переслать
| rss2email.ru | отписаться: http://www.rss2email.ru/unsubscribe.asp?c=90853&u=756462&r=797404733 управление подпиской: http://www.rss2email.ru/manage.asp |
