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- Aka Gündüz Kutbay - AşkKısacık bir ömre upuzun bir müzik hayatı sığdıran ve "müziğe adanmış bir hayatın neyde vücut bulan sesi" olan Aka Gündüz Kutbay'ın ölümünün 30. yılında, Kalan Müzik iki özel albüm yayınlıyor: Neyzen Aziz Şenol Filiz tarafından hazırlanan "Aşk" albümünde Kutbay'ın bugüne kadar yayınlanmamış icraları, "Meşk" albümünde ise usta hanende Kani Karaca ile yaptığı yine yayınlanmamış icraları yer alıyor. Her ikisi çalışma da 2'şer CD ve kitaplı albümler olarak piyasaya sürülüyor...
Aka Gündüz Kutbay (1934 – 1979) ney'de kadîm tarzın en önemli temsilcisidir. Yaptığı makam etüdleri ve başlı başına birer ders niteliğinde olan meşkleri, kendi donanımını eksiksiz ölçüde sağlamanın yanı sıra müziğimizin makam bilgilerini de o güne kadar bilinmeyen pek çok detayla zenginleştirmiştir.
Aka Gündüz Kutbay bir yandan dönemin en önde gelen hâfız ve hanendesi Kâni Karaca (1930 – 2004) ile gerçekleştirmiş olduğu söz konusu meşklerden derlediği nazarî yapılaşmayı üflediği neye hakkıyla aktarırken, diğer yandan herkesin bildiği çoğumuzun kulağında olan makamlar dışında kalan "nâdîde" makamlara duyduğu ilgi, Sadettin Heper'le yaptığı çalışmalar neticesinde o güne kadar kokusuna bile âşina olmadığımız meyveler vermiştir. Bu sınır tanımayan ilgisi ve donanımı sayesindedir ki "mutrıb"a çıktıktan kısa bir süre sonra "neyzenbaşı" olmuş ve katıldığı her âyinde bu görevi lâyıkıyla yürütmüştür.
Aka Gündüz Kutbay'ın genel olarak müzik, özel olarak ney tutkusunun sadece klasik müziğimizle sınırlı olmadığını bilen bilir. Bu doğrultuda neyde pek çok yeniliği denemiş; Batı müziğinin çeşitli alanlarında, konçertodan caza varıncaya kadar pek çok müzik formu ve disiplininde sazının sınırlarını zorlayıp ona yeni ufuklar, dolayısıyla da ney musıkimizin gelenekçi yapısına yeni pencereler açmış; Doğu'dan Batı'ya pek çok müzisyenle sadece "gönül neş'esi"ni paylaşmak üzere sahne almış, ama ney'ini son nefesine kadar elinden hiç düşürmemiştir.
CD 1:
01. Segah Taksim
02. Ferahfeza Bas Taksim (Ayinden)
03. Acem-Asiran Müsterek Taksim
04. Saba Müsterek Taksim
05. Saba Pesrev (Osman Bey)
06. Saba Seyir
07. Hicaz - Saba - Ferahfeza Taksim
08. Müstear Taksim
09. Rast Seyir
10. Hüseyni'den Isfahan'a Geçis Taksimi
11. Buselik-Asiran Taksim
12. Bayati Taksim
13. Saba taksim
14. Saba - Ferahfeza - Rast Taksim
15. Hüzzam'dan Segah'a Geçis Taksimi
16. Müstear'dan Ussak'a Geçis Taksimi
17. Saba Bas Taksimi (Ayinden)
CD 2:
01. Pençgah Bas Taksim (Ayinden)
02. Segah Taksim
03. Hicaz Pesrev (Veli Dede)
04. Hicaz Taksim
05. Muhayyer-Sünbüle Taksim
06. Nisabur - Ussak Taksim
07. Hicaz Müsterek Taksim
08. Nihavend Taksim
09. Saba'dan Rast'a Geçis Taksimi
10. Eviç'den Segah'a Geçis Taksimi
11. Evcara Taksim
12. Segah Seyir
13. Ussak'tan Hicaz'a Geçis Taksimi
14. Segah Taksim 2
15. Kürdilihicazkar Taksim
16. Rast Taksim
17. Segah'tan Rast'a Geçis Taksimi
18. Ferahfeza Son Taksim (Ayinden)
19. Suzidil Taksim
20. Buselik Saz-Semaisi
Beste: Mutlu Torun
MP3 320 kbps including Covers
Part One
Part Two
Переслать - BrasileiroThe great thing about Putumayo's world music compilations of the '90s was the label's tendency to make such unlikely choices. If a Putumayo compilation focused on Celtic music, many of the artists wouldn't be Irish or Scottish -- and if the focus was salsa, Putumayo wasn't about to limit itself to big stars out of Cuba and Puerto Rico. A collection of Brazilian pop that spans 1974-1999, Brasileiro isn't as much of a musical roller coaster as some might expect from Putumayo -- you would have expected the collection to aim for maximum diversity and jump from forro, lambada and tropicalismo to bossa nova and serteneja before spotlighting a rap group from Bahia. But while Brasileiro isn't as far-reaching as it could have been, it's enjoyable and satisfying. Anyone who's seriously into Brazilian pop should be familiar with Beth Carvalho, João Bosco, Jorge Ben, Chico Buarque, and the late Clara Nunes, but Putumayo also turns its attention to some artists who weren't huge names in Brazil when the compilation came out, including Zeca Baleiro, Chico César (whose "Mama Africa" combines Afro-Brazilian music with reggae) and Rosa Passos, who embraces the Portuguese lyrics to the Antonio Carlos Jobim standard, "Waters of March." ~ Alex Henderson, All Music Guide
[01]. Take Saravá - Brown, Carlinhos
[02]. Despedida - Machado, Celso
[03]. Clarão de Lua - Gabriel, Almizinho
[04]. Vatapá - Caymmi, Dorival [Sr
[05]. Águas de Março (Waters of March) - Jobim, Antonio Carl
[06]. O Namorado da Viuva - Ben-Jor, Jorge
[07]. Canto des Tres Racas - Pinheiro, Paulo C.
[08]. Mama Africa - César, Chico
[09]. Essas Emoções - Alves, Donato
[10]. Visgo de Jaca - Cabral, Sergio
[11]. Dança de Solidão - Di Viola, Paulinho
[12]. Cantando No Toró - Buarque, Chico
[13]. Berekeré - Capinan, Geraldo Az
FLAC tracks (EAC Rip): 290 MB | MP3 - 320 kbs: 120 MB | Covers
Archives have 5% of the information for restoration
FLAC
Part 1 | Part 2
OR MP3 320 kbps
HERE
Переслать - Suhasini Koratkar - Bhendibazar Gharana. La tradition lyrique du khyal 9
Suhasini Koratkar
Bhendibazar Gharana. La tradition lyrique du khyal 9, 1998
1. Bairagi Vilambit Ektal (25:59)
2. Bairagi Madhyalay Ektal (11:41)
3. Bairagi Drut Teental (10:16)
4. Nat Bhairav Madhyalay Rupaktal (21:51)
5. Nat Bhairav Drut Ektal (2:33)
Suhasini Koratkar - vocals
Faiyaz Hussein Khan - violin
Vinayak Phatak - tabla
320 kbps including full scans
Part One
Part Two
Переслать - Mustafa Raza - Patiala Gharana. La tradition du khyal au vichitravina
Mustafa Raza
Patiala Gharana. La tradition du khyal au vichitravina, 1996
1. Champakali Alap
2. Champakali Jor
3. Champakali Jhala
4. Champakali Vilambit Tintal
5. Champakali Drut Tintal
Gulfam Sarwar Sabri - tabla
320 kbps including full scans
Part One
Part Two
Переслать - Partho Sarathy - Maihar Gharana. La tradition du khyal au sarod 1
Partho Sarathy
Maihar Gharana. La tradition du khyal au sarod 1, 1994
1. Charukauns Alap
2. Charukauns Jor, Jhala
3. Charukauns Vilambit Jhaptal
4. Tilak Kamod Alap, Drut Tintal
Subhankar Banerjee - tabla
320 kbps including full scans
Part One
Part Two
Переслать - Carlo Domeniconi - Concerto di Berlinbul & Koyunbaba
Carlo Domeniconi
Concerto di Berlinbul & Koyunbaba, 1993
Concerto di Berlinbul (No.4) (Berlin, 1987). Concerto in 3 movements. Commissioned by the Berlin Senate for the celebration "750 Years Berlin". It was performed in the same year in the Berlin Philharmonic (Adil Arslan, saz; Carlo Domeniconi, guitar). Further performances in the Berlin Academy of the Arts and at the World Anthroposophical Convention in Helsinki. The work of the same soloists was later recorded in Ankara, Turkey on CD (RAKS). In 2002 it was performed in Istanbul and Ankara by Senfonietta Istanbul, conducted by Francisco de Galvez, with Kemal Dinc on the saz.
Koyunbaba (Gümüslük, Turkey - Berlin, 1984-85). This started as an improvisation which gradually took on form. The guitar tuning (scordatur) is CIS, GIS, cis, gis, cis, e.
A first "final" version was recorded by the composer in 2008 for the LP of same name, from which the musical score also originated. A later recording, also by the composer, was made in 1991 in Ankara, Turkey, together with the concerto for saz, guitar and orchestra (Berlinbul).
These two recordings have been re-released with a new third recording by the composer (Berlin, 2009) on the CD "Selected Works IV".
Many other musicians have played and recorded this piece. Once again, David Russell was the first, followed by many others, including Martin Pramanik, Costas Cotsiolis, John Williams, William Kanengiser, Antigoni Goni and Masayuki Kato. It has become one of the best known works for guitar of the last 15 years.
Domeniconi possibly is most well known for his 1985 piece Koyunbaba. The name is actually Turkish and literally translates as "sheep-father" (koyun-baba), or "shepherd", some sources also translate it to "the spirit of the sheep", but also refers to many other things, including a 13th century mystical saint-like figure whose grave is decorated with coloured bits of cloth by Turkish villagers seeking his help with family problems. "Koyunbaba" is also the family name of his descendants, who still reside in the area, and the name of a wild, dry region of Southwest Turkey. According to local legend, the area is seemingly cursed - numerous people who have attempted to rent or purchase the land from the Koyunbaba family have died or fallen ill. Domeniconi has referred to two specific examples: one was a German woman who wanted to keep the area in its natural and unspoiled state, but was soon stricken with cancer. The other was one of three sons of the Koyunbaba family who suddenly sold some of the land, but then hanged himself.
1. Concerto di Berlinbul for Saz, Guitar and Chamber Orchestra, Op.29
2. Koyunbaba, Op.19
Carlo Domeniconi - guitar
Adil Arslan - saz
Turkish Presidential Symphony Orchestra, dir. Gürer Aykal
320 kbps including full scans
Part One
Part Two
Переслать - Carlo Domeniconi - Selected Works III. Music for Two Guitars
Carlo Domeniconi
Selected Works III. Music for Two Guitars, 2006
"Domeniconi's music seeks repeatedly the synthesis of East and West.
He seems able to take the quintessence of different cultures and tell them anew. A hypnotic inevitability goes through his music." - Michel Lydon
"An element of hypnosis is present in much of Carlo Domeniconi's work. Surrender to it, and the chances are that you will enjoy the music on his own terms; begin to analyse it, and you will find yourself wondering if it has quite enough to satisfy your western ears." - Colin Cooper
Ten Aspects of a Bartók Theme (Berlin, 2002). The Bartók theme is played something like a "Cantus Firmus" through 10 variations. As the title implies, these are not direct variations, but paraphrases of a theme from Bela Bartók's "Mikrokosmos" which does not appear in this composition. Written for Susanna Prieto and Alexis Mouzourakis.
Tenebrae (Berlin, 2004). Inspired by Paul Celan's poem "Tenebrae". The poet's deep desire for religious experience during the conditions prevailing under the Third Reich make it impossible for him to believe in a just God. Dark, mysterious, esoteric style. Commissioned by Thomas Kirchhof.
Fandango oriental (Berlin, 2004). A theme with progressively extreme emerging variations. The fandango is an old Spanish dance in lively three-four time originating in central and southern Spain, regions greatly influenced by Arab culture. Fandango Oriental consists of a 24-bar theme with 14 variations and a finale in which the theme is repeated. The sixth bar of the theme and of each variation has a repeated motif (C minor, F minor, G major).
Long Island Suite (Berlin, 2000). Commissioned by the Long Island Guitar Festival. Written for Pat Bianculli and Harris Becker. Contrasting motifs dovetail together to form a whole. For example lyrical Italian imitations of Bach arias and moments which are nearly "country". Real American!
Ten Aspects of a Bartók Theme, Op.103 12:34
01. I.
02. II.
03. III.
04. IV.
05. V.
06. VI.
07. VII.
08. VIII.
09. IX.
10. X.
Tenebrae, Op.115 11:50
11. I. Quasi sarabanda
12. II. Come parlando
13. III. Quasi marcia funebre
14. Fandango oriental, Op.117 12:50
Long Island Suite, Op.101 17:44
15. I) Toccata
16. II) Corale notturno
17. III) Sereno
18. IV) Doloroso
19. V) Perpetuum
20. VI) Molto lento, quasi statico
21. VII) Finale
Carlo Domeniconi - guitar
Raphaella Smits - guitar (1-13)
Nora Buschmann - guitar (14-21)
320 kbps including full scans
Part One
Part Two
Переслать - Carlo Domeniconi & Silvia Ocougne - Water Music
Carlo Domeniconi & Silvia Ocougne
Water Music, 1995
"Chung, dessen Bezüge in der koreanischen Kunstmusik liegen, beschreibt mit seiner Komposition Kaya ein altes versunkenes Reich oder eine Landschaft, die so nicht mehr existiert. Stilmittel und Imitationsvorbild ist ein koreanisches Zitherinstrument, das hier, zusammen mit perkussiven Effekten, die klangliche Farbe beherrscht. Malerisches, Beschreibendes kommt auch von Henriette Nick in Un cammino tra le ombre, das die Veränderungen, die "Schattierungen" von Licht musikalisch nachzeichnet, sich (ver)formend, wieder vergehend. Auch Domeniconi bevorzugt die bildliche Assoziation in seinen vier Kompositionen, manchmal naturverbunden, so wie in der kleinen sechsätzigen Suite Water Music, in der er in knappen ein- bis zweiminütigen Skizzen die verschiedenen Formen, Veränderungen, Bewegungen oder Beziehungen des Elements "Wasser" musikalisch gestaltet, oder wie in Naturgeister den Tönen Raum gibt zur Phantasie mit Elfe, Irrwisch und
Satyr. Prana zeigt wiederum die Konzentration des Komponisten auf indische Musikformen, die in Domeniconis Werk neben den türkisch-arabischen Einflüssen einen breiten Anteil haben und seiner Stilistik eine wichtige Färbung verleihen. In der Suite "Circus Music" hingegen, bestehend aus acht kurzen Sätzen, treibt er ein Possenspiel mit allerlei Imitaten, die die witzigen Titel bis zur musikalischen Karikatur überziehen." (Gitarre aktuell III/1995) / "The nine miniatures which make up Circus Music are full of tongue-in-cheek humour and the duo made the most of the clever opportunities available lots of fun ..." (Classical Guitar, 12/95)
Water Music (Berlin, 1990). This simple suite was very often played by Silvia Ocougne and the composer
Naturgeister (Nature spirits) (Berlin, 1988). Originally written at the request of a Berlin concert organizer. However, the work was not delivered. The 4 movements represent the 4 elements air, fire, earth and water. This work has often been played by Silvia Ocougne in duet with the composer, and recorded for the CD "Water Music". The composer's first published work.
Circus Music (Berlin, 1992). Acoustic pictures of a circus. The Argentinian knife-thrower, the Spanish rider on Greek horses, the waxworks, the Cossaks and the wonder-voice of the Ural duck race Plik, the Andean flea, the fakir who slips through a keyhole, the orchestra says good night. It was recorded by Silvia Ocougne and the composer for the CD "Water music". Circus music enjoys enormous popularity, and has been performed in many countries by numerous duos.
Carlo Domeniconi - Water Music, Op.64c
01. The River Song
02. Drops
03. The Well Chorale
04. Water Games
05. Floating
06. Reflecting Waters
07. Il-Ryun Chung - Kaya
Carlo Domeniconi - Naturgeister, Op.28
08. Lichtelben
09. Irrwische
10. Ziegenelben
11. Meerjungfrauen
12. Carlo Domeniconi - Prana
13. Henriette Nick - Un cammino tra le ombre (Ein Weg unter Schatten)
Carlo Domeniconi - Circus Music, Op.54b
14. Der argentinische Messerwerfer
15. Spanischer Reiter auf griechischen Pferden
16. Das Wachsfigurenkabinett
17. Der Entenwettlauf
18. Plik der Andenfloh
19. Die Ural-Wunderstimme und die Donkosaken
20. Die Feuerwehr "on ice"
21. Der Yogi der durch das Schlüsselloch verschwindet
22. Das Orchester verabschiedet sich
Carlo Domeniconi - guitar
Silvia Ocougne - guitar
320 kbps including full scans
Part One
Part Two
Переслать - Carlo Domeniconi - Sindbad. A Fairy Tale for Guitar
Carlo Domeniconi
Sindbad. A Fairy Tale for Guitar, Op.49, 1995
"This 2 CD album is taken up with a large-scale solo guitar evocation of the stories of Sindbad. Domeniconi handles his own music with great fluidity and command ... Sindbad remains a significant milestone for the guitar." (Classical Guitar 11/1996)
Sindbad. A Fairy Tale for Solo Guitar (Berlin, 1991). Sinbad tells the famous tales from "1001 nights". Divided into 3 cycles, each consisting of 7 pieces. Stylistically very variable, and in part very highly complex. During the 21 movements, the guitar is tuned gradually in 12 different tunings; this is relieved, however, in that the tuning changes always (with one exception) involve just one string, and a semitone. It was recorded by the composer for the double CD "Sindbad" (Kreuzberg Records), and performed very frequently. Later also performed by Marco Socías. The work was often performed with Eurythmy.
CD 1
1st Cycle
01. Baghdad
02. Sindbad
03. Sindbad's Journey
04. The Battle with the Waves
05. The Egg of the Ruch
06. Diamond Fishers in the Valley of Snakes
07. Homeward Bound
2nd Cycle
08. The Storm
09. The Saving Driftwood
10. Sindbad's Despair
11. The Little Man and the Giant
12. The Escape
CD 2
01. The Wedding with the Princess
02. Buried Alive
3rd Cycle
03. Journey to India
04. The Subterranean River
05. At the Tomb of the Spirit King
06. The Flight
07. Sindbad's Transfiguration
08. Serendipity
09. Return to Baghdad
Carlo Domeniconi - Guitar
320 kbps including full scans
Part One
Part Two
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