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- Euro LoungeBecause there is so much lazy, careless, appallingly sloppy A&R in the recording industry, A&R people who do their job well should always be applauded. And when it comes to A&R, Putumayo has been thoughtful and intelligent more often than not. Putumayo's A&R people usually do a lot of hard thinking when they assemble a compilation, which is why world music enthusiasts hold the company in such high regard. A good example of Putumayo's thoughtfulness is Euro Lounge, which takes a look at the more melodic world/electronica experimentation that has been coming from Europe. Some world/electronica fusion can be forceful, abrasive, dissonant, and hyper, but Euro Lounge doesn't get into any of Europe's rave-friendly techno/world sounds. This compilation focuses primarily on Europe's more melodic, relaxed world/club fare -- in other words, chill-out grooves for club hounds who are into world music. And in the 21st century, that could be anything from downtempo mixed with Brazilian music to trip-hop/Middle Eastern hybrids. Most of the artists on Euro Lounge come from various European countries, including Italy (Daniele Silvestri, Bandabardo, Gabin, S-Tone Inc.), Belgium (Gare du Nord), and Spain (Mastretta). But their influences aren't strictly European. Gabin, for example, brings a Brazilian influence to "Sweet Sadness," while S-Tone Inc. is very Indian-influenced on "Limbe." And some of the artists on Euro Lounge don't actually live in Europe. Ilhan Ersahin, for example, is a part-Turkish, part-Swedish jazz saxophonist who was born in Stockholm but now lives in New York. The John Coltrane-influenced Ersahin has recorded some memorable post-bop albums, but "Girl" isn't jazz -- it's an enjoyably moody blend of downtempo and Turkish pop. Full of surprises, Euro Lounge is yet another appealing example of the sort of hard thinking that usually goes into Putumayo's compilations. ~ Alex Henderson, All Music Guide
[01]. Un Simple Histoire - Thievery Corporation
[02]. Limbe - S-Tone Inc.
[03]. Salpica - Mambotur
[04]. Jackie - Bossa Nostra
[05]. Sempredi Domenica - Solvertri, Danielle
[06]. Girl - Ersahin, Ilhan
[07]. Sweet Sadness - Gabin
[08]. Sstojne Bre Mome Kocansko - Lazarova, Vanja
[09]. How Was It For You - Gare Du Nord
[10]. El Ltimo Habitante - Mastretta
[11]. Non Sarai Mai - Bandabardo
[12]. Voulez Vous - Arling & Cameron
FLAC tracks (EAC Rip): 320 MB | MP3 - 320 kbs: 120 MB | Covers
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Переслать - Anne-Sophie Mutter - Recital 2000German violinist. Her gifts as pianist and violinist were clear at an early age. Admired by Karajan when she played at Lucerne in 1976, she made her Salzburg Festival début when she was 14 and also her London début, playing first in the USA in 1980. She is noted for her shapely playing and warm tone in the standard repertory and has given premières of works by Lutosławski and others.
To capture the brilliant partnership between violinist Anne-Sophie Mutter and pianist Lambert Orkis, one only has to look to their riveting recording of Beethoven's Violin Sonatas. Over the course of those four CDs, the pair revealed themselves to be a lively, sympathetic team. The same description could be used for this single-CD recital, featuring four very different 20th-century compositions from four very different composers. The spiky nature and high notes of Prokofiev's Sonata stand in direct contrast with George Crumb's Four Nocturnes, a fragmented but short sonic journey filled with subtle harmonics and stark, hallucinogenic movements. Moving to Webern's Four Pieces, Mutter and Orkis literally define the essence of collaboration--there is no "star" here, other than the composer's somber work. The pair end the recital on its most gorgeous note: Respighi's Sonata for Violin and Piano in B minor. The richly lyrical, Romantic composition is the perfect showcase for the duo, and they deliver an electrifying performance. While Webern and Crumb may be acquired tastes, the Respighi piece is something everyone will love, filled with beautiful, expressive singing lines. These are great performances--Mutter's tone is impeccable and Orkis showcases his ever-increasing versatility. Great recorded sound, too. --Jason Verlinde
1. Sonata for violin & piano No. 2 in D major, Op. 94 bis
Composed by Sergey Prokofiev
with Anne-Sophie Mutter, Lambert Orkis
2. Nocturnes (4) (Night Music II), for violin & piano
Composed by George Crumb
with Anne-Sophie Mutter, Lambert Orkis
3. Pieces (4) for violin & piano, Op. 7
Composed by Anton Webern
with Anne-Sophie Mutter, Lambert Orkis
4. Sonata for violin & piano, in B minor, P. 110
Composed by Ottorino Respighi
with Anne-Sophie Mutter, Lambert Orkis
01. Sonata for Violin and Piano No.2 in D, Op.94a – 1. Moderato
02. Sonata for Violin and Piano No.2 in D, Op.94a – 2. Presto
03. Sonata for Violin and Piano No.2 in D, Op.94a – 3. Andante
04. Sonata for Violin and Piano No.2 in D, Op.94a – 4. Allegro con brio
05. Four Nocturnes (Night Music II) – for violin and piano – Notturno I: serenamente
06. Four Nocturnes (Night Music II) – for violin and piano – Notturno II: scorrevole, vivace possibile
07. Four Nocturnes (Night Music II) – for violin and piano – Notturno III: contemplativo
08. Four Nocturnes (Night Music II) – for violin and piano – Notturno IV: con un sentimento di nostalgia
09. Four Pieces, Op.7 – for violin and piano – 1. Sehr langsam
10. Four Pieces, Op.7 – for violin and piano – 2. Rasch
11. Four Pieces, Op.7 – for violin and piano – 3. Sehr langsam
12. Four Pieces, Op.7 – for violin and piano – 4. Bewegt
13. Sonata for Violin and Piano in B minor – 1. Moderato
14. Sonata for Violin and Piano in B minor – 2. Andante espressivo
15. Sonata for Violin and Piano in B minor – 3. Passacaglia – Allegro moderato ma energico Allegro moderato, ma energico
EAC Rip | APE (image) + cue+ log | Scans
Part 1 | Part 2 | Part 3
Переслать - Farida - Maqams and Songs of Nostalgia. A Concert at the Centre for World Cultures
Farida
Maqams and Songs of Nostalgia. A Concert at the Centre for World Cultures
Iraqi Maqam Foundation, 2009
In the hope of maintaining our Iraqi musical folklore which is represented by Iraqi Maqam, this style which I have learned and inherited from greatest teachers Munir Bashir, Shaubi Ibrahim, Yousif Omar. with whom I had worked for a period regarded as the richest period of my artistic career. In addition, work with the Iraqi Musical Heritage Group, which had been founded by the greatest artist Munir Bashir, made me aware of the importance of continuing and spreading this folklore throughout the world since, this folklore represents the most tremendous and ancient humanitarian civilization & that is the civilization of Mesopotamia. Regretfully, this choir mentioned above had disappeared so I worked hard to found The Iraqi Maqam Ensemble with a group of the best & most experienced artists together with the greatest female voice who uniquely performs this style, Mrs Farida Mohammad Ali, so that the lady of Iraqi Maqam together with The Iraqi Maqam Ensemble are the voice of Mesopotamia to the world. - Mohammad H. Gomar
The Iraqi Maqam Ensemble was founded in 1989 in Baghdad By Mohammad H.Gomar to continuation of The Iraqi Musical Heritage Group which was initiated in 1973 by the prominent Lute professor Munir Bashir.
The group of Maqam has met its objective to revive the Iraqi Maqam and other kinds of Iraqi musical heritage and spread it via Arabic and international festivals the voice of Farida Mohammad Ali, the maqam singer
The ensemble members had all finished their studies in the Musical Institute & Academy of Fine Arts in Iraq.
The group is considered to be one the most important in Iraq in reviving the Iraqi Maqam. It has participated in a large number of music festivals and was considered to be one of the best 14 groups in the world by the jury of the festival WOMEX2001 which took place in Rotterdam in Holland. Rotterdam was chosen as the cultural capital of Europe for the year 2001. The name of the group of Iraqi Maqam figures in the book of the festival in page 103 and in page 150.
CD 1
1. Intro
2. Samah el Nawa
3. Maqam Nahawand
4. Madre Ana
5. Maqam Makhalef
6. Mslim
7. Mawaal Rakabaniya
8. Mawal Rast & El Walad Nam
CD 2
1. Maqam Dishit (instr.)
2. Maqam Dishit
3. Ah Menak
4. Yal Walad Yabne & Ma Reda
5. Kurdish Song
6. Ya Sayad Al Samak
7. Maqam Ajmi: Aya Shayen Fe Al Eid & Talaa Mn Bet Aboha
8. Morabaat from Baghdad
Farida - vocals
Mohammad Hussein Gomar - djoze, violin
Jamil Al Asadi - kanun
Adnan Shanan - ney
Salar Asid - violin
Abdal Latif Al Obaidi - ud, riqq
Karim Darwish - tablah
Anmar Al Aoufi - bankuz, kasour
Ali Al Khafaji - mazhar
Titus van Brecht - double bass
320 kbps including full scans
Part 1 | Part 2 | Part 3 | Part 4
Переслать - Daoud & Saleh Al-Kuwaity - Their Star Shall Never Fade
Daoud & Saleh Al-Kuwaity
Their Star Shall Never Fade
Jewish brothers born in Kuwait, make their name in Iraq, then settle in Israel, and along the way great a unique Arabic music for violin and ud. The brothers Saleh (1908-1986) and Daoud (1910-1976) El-Kuwaiti wrote, composed and played with the biggest Arab singers and musicians, such as Salima Mourad, Oum Kolthoum and Muhammad Abed-el Wahab and were among King Faisal's favourite entertainers, performing for him and composing music for various formal events like the King's coronation. This is a collection of rare recordings (double CD), constituting the musical heritage of the Iraqi community in Israel and worldwide. An important document and great music, too.
Saleh Al-Kuwaity's musical legacy is revived as his centenary is celebrated
SALEH Al-Kuwaity, one of the greatest figures in 20th century Iraqi and Arab music, was born in 1908 to a family of Iraqi Jews living in Kuwait. Saleh and his brother Daoud became famous musicians in Iraq and beyond, but their musical careers were disrupted when they left for Israel in 1951.
"When their plane took off into the Baghdad skies, it signaled for Saleh and Daoud Al-Kuwaity the end of their rise and the beginning of their decline," says Saleh's son Shlomo.
However, the songs of Saleh Al-Kuwaity remained popular in Iraq, Kuwait and beyond, and there is today a growing appreciation of his musical legacy. This was shown by the enthusiastic reaction to the 18-track double CD "Daoud & Saleh Al-Kuwaity: Their Star Shall Never Fade" produced two years ago by Shlomo and other family members.
"The album was sent, among others, to some prominent Arab figures around the world and in Kuwait and Iraq in particular," says Shlomo. "We were very surprised at the positive responses from the Kuwaiti, Saudi, Lebanese and Iraqi press, and also from a whole host of online websites which specialize in Arabic music."
A further sign of the revival of interest in the Al-Kuwaity brothers was the holding in December of a special day at the Brunei Gallery of the School of Oriental and African Studies (SOAS), London University, to celebrate the 100th anniversary of the birth of Saleh, who died in 1986.
An organizer of the event, the London-based Iraqi oud master Ahmed Mukhtar, paid tribute to "the genius of Saleh Al-Kuwaity" who "created new styles of Iraqi maqam music and freed the maqam from its restrictions and mixed some of it with urban music." The finale of the day was a packed-out concert by Iraqi musicians which opened with Mukhtar's performance of variations on several of Saleh Al-Kuwaity's compositions.
The Iraqi singer Ismail Fadhel, who lives in Australia, delivered in rousing style a succession of Al-Kuwaity songs, accompanied by the London-based violinist Taher Barakat and two musicians living in the Netherlands: qanoun player Jamil Al-Assadi and percussionist Ali Khafaji. The concert was a joyous occasion, with the audience clapping, singing and at times dancing along.
In his welcoming speech at the concert, Mukhtar said: "We commemorate Saleh Al-Kuwaity as a person of artistic value not as Iraqi or Kuwaiti, but as of great human value. He managed with his rich compositions to establish some very valuable music in the area, and in particular for the Iraqi people: all the Iraqis tend to sing his songs, and they are still attached to his classical compositions."
At the concert Mukhtar presented a 100th anniversary award to Shlomo Al-Kuwaity, who later described the celebration of his father's music as "incredibly exciting. I was totally surprised and touched to see that he is still present in people's hearts."
He added: "For our family and for me, of course it was a great honor. But most important for us is restoring his place in the history of Arab music. We think he deserves it. The response of the audience was overwhelming and I felt at home." He added: "I hope that a door has been opened without differences of religion and without politics. Just for the Arts!"
As Shlomo recounted in his address at the centenary day, the musical gifts of Saleh and Daoud became apparent after an uncle returned from a business trip to India with a violin for Saleh and an oud for Daoud, two years his junior. In lessons with the Kuwaiti musician Khaled Al-Baker they mastered the elements of Kuwaiti, Bahraini, Yemeni and Hijazi music and song.
They became famed for their performances at gatherings of dignitaries. In the late 1920s a club owner in Basra invited the brothers to work at his club, where they started to perform with the legendary maqam singer, Muhammad Al-Qubbanji.
They moved to Baghdad in 1930 and worked in the Malha el-Hilil club accompanying the famous Jewish singer Selima Murad, wife of fellow vocalist Nazem Al-Ghazli. She asked Saleh to write songs for her, the first of which was "Qalbak Sakhr Jalmoud"("Your Heart is Rock Hard").
Over the next two decades Saleh Al-Kuwaity was the pre-eminent song writer in Iraq, writing songs for stars such as Zakiya George, Munira Al-Hawazwaz. Afifa Iskander and Zohour Hussein. When the great Egyptian singer Umm Kulthum toured Iraq in 1931, Saleh taught her "Qalbak Sakhr Jalmoud". Another towering Egyptian performer, the singer and composer Mohammed Abdel Wahab made trips to Iraq in the early 1930s. He was fascinated by Iraqi and Kuwaiti music, and would sit with Saleh after performances so the two could learn from each other.
In 1936 Daoud and Saleh were asked to found an orchestra for the new Iraqi broadcasting service. They were also favorites of King Ghazi, who had his own radio station in his palace. The king gave Saleh a personally inscribed watch, which remains in the possession of the Al-Kuwaity family and is still working.
In those days the majority of instrumentalists in Iraq were Jewish. According to Shlomo, the Iraqi Prime Minister Nuri Said, himself a keen amateur musician, switched on the radio one day in 1945 and found there was no music. "When he contacted the radio, he was told that it was Yom Kippur and the Jews did not work. And so it was decided to set up another orchestra with non-Jewish musicians under the direction of Jamil Bashir."
The tumultuous politics of the region shattered the position of the Jewish community in Iraq. Most of its members emigrated, and in 1951 the Al-Kuwaiti brothers left for Israel. This was despite the Emir of Kuwait's sending messengers on the day of their departure asking them to move to Kuwait, with guarantees they would be treated with the utmost respect.
Like many immigrants from Iraq, the Al-Kuwaity brothers faced a difficult time settling in Israel. To make ends meet, Saleh set up a store selling household items in the market of Tel Aviv's Hatikvah neighborhood. Eventually the brothers had their own radio program on the Arabic service of the Kol Israel radio station, and were able to reconnect with their lost listeners in Iraq, Kuwait and elsewhere in the Arab world.
In a film screened during the Brunei Gallery day, Ahmed Mukhtar interviewed Yeheskel Kojaman, a London-based Iraqi-Jewish expert in Iraqi music, and Baher Al-Rajab, the musician son of the Iraqi-Jewish musician Hashim Al-Rajab. It was stated during the film that a committee was formed in Iraq in 1973 to "remove the impurities in the Iraqi heritage." Many names vanished, including those of the Al-Kuwaity brothers, although their music was still widely listened to.
Also screened during the day was a studio discussion of Saleh Al-Kuwaity's work originally broadcast by the US-sponsored satellite TV channel Al-Hurra. In the program a panel of three experts on Iraqi music, including the conductor of the Iraqi National Symphony Orchestra Abdul Razzak Al-Azzawi, identified Saleh as the definitive Iraqi composer of the 1930s and 1940s.
Shlomo Al-Kuwaity notes that at the 8th conference of Baghdad University's Faculty of Fine Arts, held in 2008, Ibrahim al-Jazrawi presented a paper entitled "Saleh Al-Kuwaity and his work in Iraqi music and poetry". Al-Jazrawi proposed the establishment of a library to preserve all material related to Saleh.
The Al-Kuwaity family is preparing a book on Saleh and Daoud which includes fresh material from sources in countries including the Netherlands, England, Iraq and Kuwait. Like the double CD, the book is likely to become a treasured collector's item among connoisseurs of Iraqi and Arabic music. - Susannah Tarbush
The following hype relates to a CD published by ARC, probably the one posted by bolingo:
Saleh Al-Kuwaity (1908-1986) and his brother Daoud (1910-1976) were Iraqi Jews born in Kuwait, who as young boys happened to receive a violin and an oud as gifts from an uncle. They soon became proficient on the instruments, were recognized as child prodigies by the Kuwaiti elite and eventually went on to considerable success in Iraq. In addition to becoming favorites of King Faisal and helping to establish Iraq's first radio station, the pair composed songs for some of the biggest stars of the day (including Egypt's Umm Kulthum) and music for formal events throughout the Arab world. Despite attaining fame and influence that benefited the Iraqi Jewish community and beyond, the brothers opted to immigrate to the recently established state of Israel in the early 1950s. Having come from an Arab country, they had no easy time re-forging a musical career. But they did, and continued to be hitmakers for years to come, even in the face of mounting tension between Israel and its Arabic neighbors. The liner notes to this CD tell the brothers' story in detail but unfortunately don't include much information about the songs (which seem to be performances by Saleh and Daoud's own mini-orchestra). Keeping in mind that the tracks likely date from the first half of the 20th century, they sound reasonably clean. Pretty rough and not a lot of production nuance, but the tart arrangements, vocals and instrumentation (with qanun, ney, bass and percussion in addition to violin and oud) are nonetheless both pleasing and engaging in the way they evoke a colorful past musical era. While it's Saleh (on violin) who does most of the soloing, Daoud and the uncredited ensemble have their moments too. Good vintage music, but I'd like to know (and hear) more. - Tom Orr
CD 1
01. Trib Ani U Truch 5:17
02. Ueduni U Yinsany 8:08
03. Hamayed 3:15
04. Ard Anshid Ahl El Hawa 12:08
05. Shwy Shwy 6:30
06. Haif Aleha 3:47
07. Bint El Moshab 10:47
08. Chalhom Yehisdon 6:52
09. El Hagir Muada Gariba 3:29
10. Ya Damiti 10:23
CD 2
01. Achdu Mini U Rachi 11:21
02. Ya Hafer El Bir 3:12
03. Rib Ya Gumar 20:00
04. Asmar Baena Ghatalni 9:56
05. Endak Aun Ghatala 3:34
06. My Hana 3:56
07. Ya Einyid Ya Yaba 3:07
08. Ala Drub Yahwy 9:37
320 kbps including full scans
Part 1 | Part 2 | Part 3 | Part 4
Переслать - Turkish Mysticism Sounds - Sufi
Sufism is an Islamic practise which is particularly mystical and ascetic. It first appeared during the eighth century and spread from Senegal to Indonesia. Sufi brotherhoods are very established in Turkey despite a law forbidding their activities during the 1920s. They often express themselves through music, which they consider to be a necessary aid for meeting God.
[01]. Sufi - Ney + Kanun
Tracklist:
01. Billur
02. Rüzgar
03. Emanet
04. Hakka Dogru
05. Ferman
06. Duru
07. Ask Yolu
08. Semazen
09. Hakikat
[02]. Sufi - Ney + Tanbur
Tracklist:
01. Çile Çektim Ask Için
02. Sefkat
03. Hatira
04. Ask ve Muhabbet
05. Hayat
06. Gül Deste
07. Fayda Etmez Derdime
08. Cefa
09. Feyz
10. Giz
11. Derman
12. Gökkusagi
[03]. Sufi - Ney + Ud
Tracklist:
01. Huzur
02. Sevgi Yolu
03. Dost Kervani
04. Gülün Çilesi
05. Askin ile Avunurum
06. Gözyasi
07. Gönüle Dogru
08. Mucize
09. Alem
10. Düs
11. Hazan
12. Çile Yolu
13. Kudret
14. Sona Dogru
15. Duru
[04]. Sufi - Ney I
Tracklist:
01. Selam
02. Ilahi Isik
03. Su
04. Ab-i Hayat
05. Gönül Gözü
06. Seyyah
07. Vuslat
08. Rüya
09. Nefs
10. Mecnun
11. Hayal
12. Sir
13. Isik
[05]. Sufi - Ney II
Tracklist:
01. Sadakat
02. Gül Bahçesi
03. Beste
04. Husu
05. Alem-i Vefa
06. Haz
07. Hasret
08. Vuslat
09. Bi -Vefa
10. Seyir
11. Seda
12. Yakamoz
13. Umman
14. Selam
Credits to "Manavgat"
MP3 320 kbps including Front Covers, 2004
Part 1 | Part 2 | Part 3 | Part 4 | Part 5
Переслать - 100 Accordeon & Harmonika HitsTRACK LISTINGS
CD 1
01. Rojo Buam - Fruhlingspolka
02. Die Anseltaler - Alpen Polka
03. De Marmaros - Brabantpolka
04. Rojo Buam - Guten Morgen
05. Die Anseltaler - Der Trekzak
06. De Palemiger Spatzen - Ein Kind
07. Die Vagabunden - Flachland Boarisch
08. De Palemiger Spatzen - Fluitpolka
09. Die Vagabunden - Frau Maier
10. Die Vagabunden - Tiroler Buam Polka
11. Die Palemiger Spatzen - Harmonikatijd
12. Die Vagabunden - Hey man Polka
13. De Palemiger Spatzen - Kreuz und Quer
14. Die Vagabunden - Ritmo del Ansa
15. Rojo Buam - Servus
16. Rojo Buam - Speedypolka
17. De Palemiger Spatzen - Tanz der Harmonika
18. De Palemiger Spatzen - Turbo Polka
19. Die Vagabunden - Zillertaler Hochzeitsmarch
20. Die Vagabunden - Camilla
21. De Palemiger Spatzen - Das Lied der Berge
22. De Palemiger Spatzen - Die Berge, die sind mein Zuhaus (live)
23. Die Vagabunden - Korenblumenwalzer
24. Die Vagabunden - Pico bello
25. Rojo Buam - Mega Polka 1
CD 2
01. Rojo Buam - Polka fur Elsa
02. Palemiger Spatzen - Das Polkalied
03. Vagabunden - Damenwahl
04. Palemiger Spatzen - Bei dir zuhause
05. Vagabunden - Klarimetten Muckl
06. Palemiger Spatzen - Morgentau
07. Anseltaler - Droben Auf Der Am
08. Rojos - Ein stern der vom himmel fallt
09. Palemiger Spatzen - Im Himmel
10. Rojo Buam - Himmelswalzer
11. Anseltaler - Polka Doble
12. Rojo Buam - in den bergen
13. Vagabunden - Juche auf der hohe alm
14. Anseltaler - Lustige Buben
15. Marmaros - Lindenwals
16. Rojo Buam - Mutter ich danke dir
17. Vagabunden - Ohne musik geht nit
18. Vagabunden - RegenBoogTango
19. Rojos - Spanisches feuer
20. Vagabunden - Spatzen Walzer
21. Rojo Buam - Woodlog Boarischer
22. Steirische Harmonika Quintett - Steirer Polka
23. Steirische Harmonika Quintett - Am Wochenende
24. Palemiger Spatzen - Dґn Bakelse
25. Vagabunden - Marsch der Harmonika
CD 3
01. Palemiger Spatzen - Fanclub Boarischer
02. Rojos - Boricka Polka
03. Palemiger Spatzen - Sonidos Estivales
04. Vagabunden - Wir fahren ins Grune
05. Rojoґs - Okkipolka
06. Marmaros - Bavaria Wals
07. Vagabunden - Buragaudi
08. Palemiger Spatzen - halli galli
09. Palemiger Spatzen - Bohmerwald
10. Anseltaler - Frans de Lepelaar
11. Rojo Buam - Indian Boarischer
12. Palemiger Spatzen - Harmonika Power
13. Anseltaler - Auf der Autobahn
14. Rojo Buam - Vohla
15. Palemiger Spatzen - Van Veurenwals
16. Rojos - Im mondenschein
17. Vagabunden - Hegl Boarischer
18. Rojo Buam - Rosenwalser
19. Palemiger Spatzen - Schneewalzer
20. Vagabunden - Spasspolka
21. Vagabunden - Stampfer Boarisch
22. Rojo Buam - Tiroler trampeltanz
23. Rojo Buam - Mega Polka 3
24. Vagabunden - Hansґl Polka
25. Harmonika Quintett - Steir.Harmonika Gruben
CD 4
01. De Palemiger Spatzen - Boakelse boarischer (instr)
02. Steirische Harmonika Quintet - Am Wochenende (instr)
03. Rojo Buam - Apres ski mit Sophie
04. De Palemiger Spatzen - Rosen dieser Welt (instr)
05. Steirische Harmonika Quintett - Blutenzauber (instr)
06. Steirische Harmonika Quintett - Circus Renz (instr)
07. Rojo Buam - Der Junge miit der Quetschbuel (instr)
08. Rojo Buam - Ein Gruss aus Limburg
09. De Palemiger Spatzen - Frohe Stunden (instr)
10. De Palemiger Spatzen - Rock mich
11. Rojo Buam - Eine Rose von dem Grab
12. Rojo Buam - El Loco (instr)
13. Rojo Buam - Festzelt Gaudi (instr)
14. De Palemiger Spatzen - La noche (instr)
15. Die Vagabunden - Marsch der Feuerwehr (instr)
16. Rojo Buam - Rocking & rolling (instr)
17. Rojo Buam - Mega Polka 4 (instr)
18. Sterirische Harmonika Quintett - Schneeflocken (instr)
19. Rojos - Stimmung mit Volksmusik
20. Steirischer Harmonika Quintett - Steirische Harmonika (instr)
21. Marmaros - Ton doux visage (instr)
22. Marmaros - Trekzak of harmonika (instr)
23. Steirische Harmonika Quintett - Uber der Loibnpass (instr)
24. De Palemiger Spatzen - Windmuhl boariascher (instr)
25. Die Vagabunden - Schnurrig boarischer (instr)
Instrumental | MP3 320kbps | 710 MB
Part 1 | Part 2 | Part 3 | Part 4
Переслать - Gypsy CaravanGypsies (or Roma, as they prefer to call themselves) are one of the most misunderstood and unfairly stereotyped cultures on the planet. Much of what is known about them comes from media treatments that only scratch the surface of this colorful and complex culture. This new release from Putumayo is an effort to break down those stereotypes by dipping into some of the permutations of Romani music from various European countries. As might be expected, music from Hungary makes up the bulk of the tracks (five out of 11), but there are some fine examples of French gypsy jazz (Coco Briaval's tribute to Django Reinhardt, the classic "Les Yeux Noirs" ["Dark Eyes"]) and Spanish flamenco (Miguel Angel Cortés' "Al Likindoy"). With the exception of these tracks and one or two others, much of what is here has a rustic, folkloric quality, with simple arrangements and straightforward harmonies. Hungarian quartet Kalyi Jag uses only guitar with milk jug percussion in its subtle yet infectious "Mori Shej, Sabina" ("My Daughter, Sabina"). As with many Putumayo releases, this is not intended to be the definitive genre sampler. It is more a primer in Gypsy Music 101, a not-so-in-depth survey of a smattering of styles. The liner notes are typically breezy and informative enough for the casual listener. As usual, there are no translations of the lyrics, but the spirit of the music makes up for this. ~ Peggy Latkovich, All Music Guide
[01]. Diri, Diri, So Kerdjan? - Traditional
[02]. Mori Shej, Sanina - Balogh, Jozsef [Cla
[03]. Pena - Bajramovic, Saban
[04]. Gipsy Song - Stefanovski, Vlatko
[05]. Les Yeuz Noirs - Traditional
[06]. L' Amour S'Envole - Robin, Thierry
[07]. Al Likindoy - Cortés, Miguel Ange
[08]. Korkore Zav Ande Kalyi Ratyi - Traditional
[09]. Kutka Avel E Sej Bari - Traditional
[10]. Codru - Trofanov, Sergei L
[11]. Sza Tele Tsav - Traditional
FLAC tracks (EAC Rip): 310 MB | MP3 - 320 kbs: 110 MB | Covers
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Переслать - Skopje Rifai Dervishes - For Centuries They Waited, For Years They Celebrated. Ilahi's and Zikr Ceremony
Skopje Rifai Dervishes
For Centuries They Waited, For Years They Celebrated. Ilahi's and Zikr Ceremony, 2006
The Skopje Rifai Dervishes are a Sufi sect, of which the members get together once a week. They sing praise songs to Allah in turkish, arabic, roma, serbian, and albanian languages and so reach a state of trance. For Sufi's the zikr is an important way of coming closer to God. The CD contains a complete zikr ceremony. The ceremonies have been followed and studied for a few years by arabist Dr. Niek Biegman, who made photographs and recordings and took care of the liner notes.
01. Sabale Ale O Dervishija (In the Early Morning the Dervishes) 3:17
02. Dvadeset I Drugi 22 Mart (The 22nd of March is a Real Feast For Us) 6:55
03. Tala'a 'l-Badru 'Aleyna /Ben Rast Geldim (The Full Moon Has Risen Over Us / I Met the Sheikh of the Men of God) 7:29
04. Sana Derim Evladim (I Am Telling You, My Son) 3:23
05. O Dervishija Rufaije / Hakka Geldim / Shahi Merdan (Oh Rifai Dervishes / I Came to the Truth / King of the Brave) 10:38
06. La Ilaha Illa'llah (There is no God but God) 8:56
07. Allah Ya Allah (God oh God) 5:29
08. Dayim Haqq Allah Hayy (Four of God's names: "The Everlasting, The Truth, God, The Living One") 2:39
09. Anta Al-Hadi Anta Al-Haqq / Ya Hayy (You are the Guide, you are The Truth, no one is the Guide but He / Oh Living One) 5:21
10. Hayy Hayy Hayy Allah (The Living One, God) 17:01
11. Hu Hu Hu Hu 5:20
320 kbps including full scans
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Переслать - Mallikarjun Mansur - Rare Ragas. Raag Jait Kalyan
Mallikarjun Mansur
Rare Ragas. Raag Jait Kalyan, 2000
1. Raga Jait Kalyan
Mallikarjun Mansur - vocals
Rajshekhar Mansur - supporting vocals
Kavita Mansur - supporting vocals
Gauravji - harmonium
Nizamuddin Khan - tabla
320 kbps including full scans
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Part Two
Переслать - The Sabri Brothers - Tasleem. Sufi Qawwali Music from Pakistan
The Sabri Brothers
Tasleem. Sufi Qawwali Music from Pakistan
1. Saazina or Naghma
2. Man kunto Maula
3. Sar-e-Lamakan, Shab-e-Miraz
4. Teri Soorat
320 kbps including full scans
Part One
Part Two
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