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- Medievo - Obras maestras de la música medieval españolaSelecciones de Eduardo Paniagua - Medievo
01. CSM 145. ALEXANDRIA (2:54)
Mْsica Antigua, Eduardo Paniagua
02. CSM 257. LAS RELIQUIAS (3:30)
Eduardo Paniagua.
03. BEN V'LGRA. Danza virelai, trovador catalلn anَnimo (3:00)
Eduardo Paniagua
04. CSM 010. ROSA DAS ROSAS (3:47)
Malandança, Francisco Luengo
05. OH LA MANSI'N DELTRONO REAL. PUERTA DEL MEXUAR, ritmo Btلyhi, modo Rasd (2:51)
El Arabi Serghini y Eduardo Paniagua
06. CSM 173. TANTAS EN SANTA MARIA (6:28)
Mْsica Antigua, Eduardo Paniagua
07. MURAKKAZ "AH YA MUDDASIN" Fragmento de la Nauwa Ram AI-Maya. Andalusي de la tradiciَn de Libia (3:24)
Cلlamus: Begoٌa y Rosa Olavide, Eduardo y Carlos Paniagua, Luis Delgado
08. ABINU MALKENU Canto religioso judeoespaٌol (2:10)
Alia Mْsica, Miguel S'nchez
09. KI ESHMERA SHABAT .Canciَn de Shabat de Abraham Ibn Ezra (3:54)
Sefarad, Eduardo Paniagua
10. DE MANU INFERNI, RESPONSORIO (1:45)
Schola Antigua, Laurentino Sلenz de Buruaga
11. MUWWAL "MUةSTRALES ALTIVO Y COQUETO" Poema de Ibn al-Fلrid (3:24)
Omar Metioui - Laْd, Saad Temsamani - canto
12. GRADUAL SEDERUNT PRINCIPES (3:19)
Grupo de mْsica Alfonso X el sabio, Luis Lozano Virumbrales
13. BASIT, IN KUNTA TUNSIFUHU "SI A SU AMISTAD LLEGARAS" Poema de Al-Shushtari (2:55)
Cofradia AI-Shushtari, Omar Metioui
14. HYMNUS AVE MARIS STELLA. MODO I Canto gregoriano (2.17)
Coro de Monjas Benedictinas del Real Monasterio de San Pelayo
15. CONSOLADME NI'AS AL ALBA! (UADDAءUNI) Canciَn andalusi de la tradiciَn de Tْnez (4:01)
Mْsica Antigua, Eduardo Paniagua
16. PROSA, FLAVIT AUSTER (3:09)
Voces Huelgas, Luis Lozano Virumbrales
17. MIZAN BTءYHI, SAN'A GAYBATUK, Nْba al-Istihlلl. Mْsica andafusi de Marruecos (3:10)
Ibn Baya, Omar Metioui y Eduardo Paniagua
18. VA T'EN MON CUER, rondَ de Gracian Reyneau, siglo XIV-XV (3:42)
In canto Ensemble, Fernando Quiroga
19. TEMPUS EST IOCUNDUM Carmina Burana C.B.179. Siglo XIII (3:48)
Artefactum
20. ECCO LA PRIMAVERA , Francesco Landini (2:55)
Speculurn, Ernesto Schmied
21. CSM 001 (2:50)
Grupo Cinco Siglos
22. LA ROTîA, danza de manuscrito italiano del siglo XIV (0:52)
Begoٌa Ofavide
23. PRINCIPIUM EFFECTIVUM, Catedral de Gerona s.XIV (1:23)
Capella de Mْsica de Santa Maria del Mar, Lluis Vilamajَ
24. ARA LAUSAT, LAUSAT LAUSAT Canciَn de trovador catalun, anَnimo siglo XIII
EIs Trobadors, Alfons Encinas
FLAC (EAC Rip): 430 MB | MP3 - 320 kbs: 190 MB | Booklet Scans
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Переслать - Albéniz Guitar Duo - Mosaique
Albéniz Guitar Duo
Mosaique, 1995
Napoleon Coste - Grand Duo e-moll
01. I. Concertina
02. II. Andante
03. III. Barcarole
04. IV. Allegro
05. Isaac Albeniz - Iberia Nr.1 Evocacion
06. Isaac Albeniz - Cantos de Espana op.232 Nr.4 Cordoba
07. Isaac Albeniz - Suite espanola Nr.1 op.47 Nr.2 Cataluna
Mario Castelnuovo-Tedesco - Präludien und Fugen op.199 (Les guitares bien temperees)
08. Präludium und Fuge g-moll
09. Präludium und Fuge D-dur
10. Präludium und Fuge a-moll
Mario Gangi - Suite Spagnola
11. I. Andalusa
12. II. Fandango
13. III. Sevillana
Burkhard Wolk - guitar
Reiner Stutz - guitar
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Переслать - Albéniz Guitar Duo - Classique Italienne
Albéniz Guitar Duo
Classique Italienne, 1989
The duo came in August 1985. Thomas Kirchhoff and Burkhard Wolk had met at the annual Karl Scheits Virtuoso in Rees on the Lower Rhine. The spanish guitar maker, Ignacio Fleta, also played an indirect role in the formation of the duo. Both guitarists discovered that they played Fleta guitars made in the same year.
More important than this for the duo, however, was a common wish for musical interpretation which is free from academic purism and self denying to the music, behind which the guitarist is forced to retreat and take on the mere role of a technically perfect instrument. Secure in the knowledge of his technical perfection, the guitarist must be able to develop his own subjective impressions, leave room for those of the listener and show sensitivity in making the composition come alive.
To underline their ideas about interpretation they chose the name of the Spanish Argentinian composer and pianist, Isaac Albeniz, for the duo, He represented a pragmatic attitude to music and introduced his own individual feelings into his playing. He adapted his musical material to each new situation by means of transcription, and so made it lively and understandable for his listeners.
True to this tradition the Albeniz Guitar Duo represents music played and experienced in the present which builds a bridge over the ages for the listener.
The Albeniz Guitar Duo has already given numerous concerts at home and abroad, has been invited to take part in radio and television programmes and has released two records.
FERDINANDO CARULLI (1770-1841), Italian composer and guitarist in the classical guitarepoch, took first lessons at the violoncello and studied music theory. Later he began to learn the guitar on his own and reached exceptionel mastery on it. Until 1818 he has given mostly concerts in Italy and moved then to Paris from where he travelled widely. Carulli wrote more than 400 works for the guitar-solo, duos and ensemble.
The LP is the first complete recording of the Serenades op. 96 1-3 and of the Russian Variations op. 110 by the Albeniz Guitar Duo.
Ferdinando Carulli
1. Deux Aires Russes Varies, op.110
I. Moderato
II. Andante con Variationi Plus lent
III. Andante mosso con Variationi Plus vite
2. Serenade in A-Dur, op.96-1
I. Largo maestoso, Allegro maestoso
II. Larghetto sostenuto
III. Poco allegretto (Finale)
3. Serenade in D-Dur, op.96-2
I. Largo
II. Larghetto (sostenuto), Menuett (presto assai)
III. Rondo (poco allegretto)
4. Serenade in G-Dur, op.96-3
I. Largo
II. Allegretto moderato, Andante sostenuto con Variationi
III. Finale (presto-larghetto-presto)
Burkhard Wolk - guitar
Reiner Stutz - guitar
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Переслать - Alfredo Fernandez - Nunca Mas Veran Mis Ojos. Vocal Music Transcribed for Vihuela
Alfredo Fernandez
Nunca Mas Veran Mis Ojos. Vocal Music Transcribed for Vihuela, 2005
The instrument as songster. The story of this recording
I first met Alfred Fernández eleven years ago at one of the Daroca Early Music Courses. Strangely enough, however, in all that time I had never heard him play. A year ago he phoned me and I remember he said: Raúl, I've just made a recording for the "Unacorda" label, of music by Valderr·bano and other Castilian vihuela players that I'd like you to listen to. What do you think about getting together a programme of polyphony and vihuela for Musica Ficta? The idea seemed interesting. Alfred had collaborated with the group Musica Reservata from Barcelona in a programme of this nature and the result had indeed proved to be very attractive.
A week later I received a copy of the record. I confess I have always considered the vihuela to be a magical instrument. Its austerity and sobriety of sound go a long way towards explaining the Hispanic aesthetics of the XVI century, of that unrefined, rustic Castile under the early Hapsburgs, and of that almost endemic seriousness which conceals the most heartfelt and refined poetry. I listened to the recording at one sitting. Alfred's interpretations deeply moved me. Above all, his faithfulness to the nature of the instrument. The following day, I called him and said: Alfred, a lot of excellent vihuela recordings have been made, but your work proves that no one has had the last word yet. I'd like you to record a programme of mainly unpublished music, for Enchiriadis. Let's try and make the theme as monographic as possible.
After several weeks of discussing different programmes, we decided to prepare a recital of vocal works transcribed for vihuela, both by composers of the period and by the performer himself. After all, vihuela players frequently dipped into the vocal repertoire for music to play, and I have no doubt that what has come down to us is only a fraction of what was played then. In this way, composers such as Juan del Encina, Escobar or anonymous authors collected in the Cancioneros, could be heard in transcriptions for vihuela, alongside the great composers for that instrument such as Pisador, Narváez, Fuenllana and Valderrábano.
I believe the vihuela is one of the very few instruments that comes close to the very essence of Music. Its austere nature places it in the antipodes of meaningless, flashy virtuosity. Its simplicity allows little or no room for trimmings or banality, something of a challenge for the performer. Alfred's approach totally coincides with this idea, it is contemplative, serene in the extreme, a restitution of that intimate content, as fragile and ephemeral as the vihuela itself. An approach, then, not without risks - take for instance the choice of slow tempi, almost motionless, but so full of life. A risk worth taking.
01. Enriquez de Valderrábano - Soneto (1:34)
02. Enriquez de Valderrábano - Corona de mas hermosas (villancico) (1:38)
03. Enriquez de Valderrábano - Donde son esas serranas (villancico) (1:17)
04. Luys de Narvaez - Guárdame las vacas (cuatro diferencias) (4:05)
05. Enriquez de Valderrábano - Despososote tu amiga (villancico) (1:27)
06. Manuscrito de Simancas - Ribera verde umbrosa (canción) (1:58)
07. Flecha "el viejo"/Miguel de Fuenllana - Dúo de contrapunto (sobre "Si amores me han de matar") (3:20)
08. Luys de Narvaez - La bella mal maridada (villancico) (2:50)
09. Diego Pisador - Pártense partiendo yo (villancico) (2:25)
10. Enriquez de Valderrábano - Lo que queda es lo seguro (soneto) (0:43)
11. Luys de Narvaez - Conde Claros (romance) (3:41)
12. Cancionero de Uppsala/Diego Pisador - Y con qué la lavaré (villancico) (4:03)
13. Cancionero de Elvas - No piensen que ha d'acabar (villancico) (1:55)
14. Cancionero de Elvas - De vos y de mí quexoso (villancico) (2:12)
15. Josquin Desprez/Luys de Narvaez - Mille regres (chanson) (3:22)
16. Luys de Narvaez - Guárdame las vacas (tres diferencias) (4:08)
17. Enriquez de Valderrábano - Rugier (canción italiana) (1:24)
18. Estevan Daza - Nunca más verán mis ojos (villancico) (3:05)
19. Juan del Enzina - Triste España sin ventura (villancico) (2:06)
20. Juan del Enzina - Ay triste que vengo (villancico) (1:21)
21. Enriquez de Valderrábano - Con qué la lavaré (villancico) (3:00)
22. Luys de Narvaez - Y la mi cinta dorada (villancico) (5:59)
23. Enriquez de Valderrábano - Soneto (2:05)
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Переслать - Japon: Yoshikazu Iwamoto L'Esprit Du Silence (The Spirit Of Silence)Yoshikazu Iwamoto's reputation was first established in Japan through his outstanding concert appearances and by his many performances on radio and television, since when his playing has taken him around the world: In 1975 he was invited to Copenhagen where he gave concerts and also appeared on Danish television. In 1975-76 he was artist- in-residence at Wesleyan University, Connecticut, U.S.A. 1980 took him to Brazil and Argentina, and 1981 to Munich, Cologne and other cities in W. Germany. In 1983, he appeared in both the Bratislava Music Festival and the Brno International Music Festival, Czechoslovakia, and he also performed in the Republic of Ireland. In 1984 he gave concerts in Hungary and Rumania. In 1985 he toured Australia as a soloist with a major Japanese Symphonic Orchestra, giving concerts in Brisbane and Sydney, In 1986 he presented two recitals for the Almeida International Festival of Contemporary Music and Performance in London. In the same year he performed in Rome, Baden-Baden and Oxford, his concert in Baden-Baden being broacast live from Sudwestfunk. In 1987 he was invited to Belglum to give recitals ih Brussels and Gent. In autumn 1987 he gave 26 performances as on-stage musician with the English National Opera at Coliseum, London. In March to April 1988, he played in Vienna, Zurich, Bern and Brussels. In May 1988, he participated in "Points of Contacts",. three day celebration of New Electro-Acoustic Music by Young British Composers at the South Bank Centre. In October 1988, he was invited to play a duo concert with Pierre-Yves Artaud at Antidogma Musica International Music Festival in Torino, Italy. Since 1982 Yoshikazu Iwamoto has been artist-in-residence at Dartington College of Arts in the U.K. BBC Radio 3 has featured him in a series of four programmes on the shakuhachi.
1. Shisi :: Lion
2. Koko :: Empty Sky
3. Shingetsu :: Moon Of The Heart
4. Shin Ya :: Deep Night
5. San'ya Sugagaki :: Three Valleys
6. Matsukaze :: Wind Through Pine Trees
Credits to "chattemao"
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Переслать - Unforgettable Hits (7) (Romantic Piano)TRACK LISTINGS
[01]. Woman In Love
[02]. Sorry Seems To Be The Hardest Word Daniel Blue Eyes Nikita
[03]. Bright Eyes
[04]. All At Once
[05]. Careless Whisper
[06]. Out Of Africa
[07]. Islands In The Stream
[08]. Even The Nights Are Better
[09]. To All The Girls Ive Loved Before
[10]. Against All Odds
[11]. I Want To Know What Love Is
[12]. Up Where We Belong
[13]. Arthurs Theme
[14]. New York New York
[15]. Ebony And Ivory
[16]. We Have Gor Tonight
[17]. It Might Be You
[18]. Memory
MP3 VBR kbps including covers
HERE
Переслать - Oum Kalthoum - La Ya Habiby "Layli wi-nihari"Oum Kalthoum - Layli wi-nihari (La ya habibi), 1965
Composer: Reyad al-Sunbati
Lyrics: 'Abd al-Fattah Mustafa
Genre: Ughniyah
Maqam : Nahawand
HERE
Переслать - 100 Greatest Classics [Box set]5 CDs of superb classical performances from such acclaimed orchestras as the Orchestra Of St John's Smith Square, Royal Philharmonic Orchestra, London Symphony Orchestra and many more. Featuring ever popular works by Beethoven, Dvorak, Handel, Mozart and many more 100 Greatest Classics is the perfect introduction to classical music.
Tracklist:
CD1:
01. Purcell - Abdelazar ~ Rondeau
02. Pachelbel - Canon in D major
03. Clarke - The Prince Of Denmark's March "Trumpet Voluntary"
04. Bach - Suite No.3 ~ Air on the G-String
05. Bach - Brandenburg Concerto No.1 ~ 2nd mvt: Adagio
06. Bach - Brandenburg Concerto No.2 ~ 3rd mvt: Allegro assai
07. Bach - Toccata in D minor
08. Handel - Coronation Anthem ~ Zadok The Priest
09. Handel - Solomon ~ Sinfonia: The Arrival of the Queen of Sheba
10. Handel - Messiah ~ Hallelujah Chorus
11. Gluck - Orfeo ed Euridice ~ Melody "The Dance of the Blessed Spirits"
12. Haydn - String Quartet Op.64 No.5 "The Lark" ~ 1st mvt.: Allegro moderato
13. Mozart - The Marriage of Figaro ~ Overture
14. Mozart - Horn Concerto No.4 ~ 3rd mvt.: Rondo
15. Mozart - German Dance No.1
16. Mozart - Ave verum corpus
17. Mozart - Eine kleine Nachtmusik ~ Rondo: Allegro
18. Rossini - String Sonata No.1 ~ 3rd mvt.: Allegro
19. Beethoven - Piano Sonata No.8 "Pathetique" ~ Adagio cantabile
20. Beethoven - Egmont ~ Overture
CD2:
01. Boccherini - Guitar Quintet "Fandango" ~ 4th mvt.
02. Schubert - Schwanengesang (Swansong) ~ Serenade (Standchen)
03. Schubert - Piano Quintet "The Trout" ~ 5th mvt.: Theme & 1st Variation
04. Berlioz - The Childhood of Christ ~ The Shepherds' Farewell
05. Berlioz - Symphonie Fantastique ~ The Ball
06. Strauss - Radetzky March
07. Mendelssohn - Octet ~ 3rd mvt.: Scherzo
08. Mendelssohn - O For The Wings Of A Dove
09. Chopin - Fantaisie~Impromptu
10. Chopin - Waltz in D flat, Op.64 No.1, "The Minute Waltz"
11. Schumann - Kinderszenen (Scenes From Childhood) ~ Traumerei (Dreaming)
12. Liszt - Liebestraum No.3
13. Verdi - La Traviata ~ Prelude, Act III
14. Wagner - Die Walkure ~ The Ride Of The Valkyries
15. Wagner - Lohengrin ~ Prelude, Act III
16. Offenbach - The Tales Of Hoffmann ~ Barcarolle
17. Brahms - Serenade No.1 ~ Minuetto 1 & 2
18. Brahms - Hungarian Dance No.1
19. Bizet - Carmen ~ Prelude
20. Bizet - L'Arlesienne ~ Farandole
CD3:
01. Strauss - Blue Danube Waltz (abridged)
02. Strauss - Pizzicato Polka
03. Borodin - String Quartet No.2 ~ Nocturne ("And This Is My Beloved")
04. Bruch - Violin Concerto No.1 ~ Adagio
05. Saint-Saens - Danse Macabre
06. Saint-Saens - Carnival Of The Animals ~ The Swan
07. Tchaikovsky - Swan Lake ~ Scene
08. Tchaikovsky - Swan Lake ~ Dance of the Little Swans
09. Tchaikovsky - Serenade for Strings ~ Waltz
10. Tchaikovsky - The Nutcracker ~ Dance Of the Sugar-Plum Fairy
11. Dvork - Serenade For Strings ~ 1st mvt.: Moderato
12. Dvork - Symphony No.9 "From The New World" ~ Largo (abridged)
13. Dvork - Slavonic Dance No.8
14. Massenet - Thais ~ Meditation
15. Rimsky-Korsakov - Sadko ~ Song Of India
16. Faur - Dolly Suite ~ Berceuse
17. Faur - Apres Un Reve (After A Dream)
18. Grieg - Holberg Suite ~ Praeludium
19. Grieg - Peer Gynt ~ Morning
20. Grieg - Lyric Suite ~ March Of The Dwarfs
CD4:
01. Widor - Organ Symphony No.5 ~ Toccata
02. Chabrier - Espana ~ Rapsodie
03. Elgar - Serenade For Strings ~ Larghetto
04. Elgar - Salut d'amour
05. Ippolitov-Ivanov - Caucasian Sketches ~ Procession of the Sardar
06. Albeniz - Espana ~ Tango
07. Wolf - Italian Serenade
08. Delius - Irmelin ~ Prelude
09. Debussy - Suite Bergamasque ~ Clair de lune
10. Debussy - Preludes ~ The Girl With The Flaxen Hair (La fille aux cheveux de lin)
11. Debussy - Children's Corner ~ The Golliwog's Cakewalk
12. Satie - Gymnopedie No.1
13. Granados - Danzas Espaolas ~ Andaluza (Playera)
14. Vaughan Williams - Fantasia On Greensleeves
15. Holst - Suite No.2 ~ Fantasia on "The Dargason" (including "Greensleeves")
16. Rachmaninov - Rhapsody On A Theme Of Paganini ~ 18th Variation
17. Grainger - Country Gardens
18. Grainger - Shepherd's Hey
19. Falla - La Vida Breve ~ Spanish Dance No.1
20. Falla - El Amor Brujo (Love, The Magician) ~ Ritual Fire Dance
CD5:
01. Ravel - Daphnis et Chle ~ Daybreak
02. Ravel - Pavane For A Dead Infanta
03. Holst - The Planets ~ Jupiter, the Bringer of Jollity (exc.)
04. Wolf-Ferrari - The Jewels Of The Madonna ~ Serenata
05. Canteloube - Bailro
06. Stravinsky - The Firebird ~ The Princesses' Round Dance (Khorovoid)
07. Coates - By The Sleepy Lagoon
08. Prokofiev - Winter Bonfire ~ The Departure
09. Prokofiev - Romeo And Juliet ~ Montagues And Capulets
10. Prokofiev - Lieutenant Kig ~ Troika
11. Warlock - Capriol Suite ~ Pieds-en-l'air & Mattachins
12. Copland - Rodeo ~ Hoedown
13. Rodrigo - Fantasia para un gentilhombre ~ Espanoleta
14. Khachaturian - Spartacus ~ Adagio of Spartacus and Phrygia ("The Onedin Line" Theme)
15. Khachaturian - Gayaneh ~ Sabre Dance
16. Tippett - Fantasia Concertante on a Theme of Corelli ~ "Akenfield" Theme
17. Britten - Simple Symphony ~ Playful Pizzicato
18. Shostakovich - The Gadfly ~ Romance
19. Arnold - Little Suite No.1 ~ Prelude
20. Walton - The Spitfire Prelude & Fugue
MP3 320 kbps [910 MB]
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Переслать - Adama Dramé - Grands maitres de la percussion
Adama Dramé
Grands maitres de la percussion, 1987
Master percussionist Adama Drame is a sixth-generation Djeli griot from the Malinke region of West Africa. Following in his father's footsteps, Drame became a djembe-playing griot--a revered village storyteller/historian, who recites his people's important events -- wars, family histories, seasons and hunts -- to the rhythms of the djembe drum. A griot's performance can last beyond a full night, and mistakes in tempo or phrasing are not tolerated.
Once Drame decided to become a griot, he and his father practiced extensively, and he joined his father's group at the age of 12. Though the griot's purpose is preserving the heritage of his culture, Drame's father also added modern touches to his band, including guitar, accordion and a horn section. Similarly, Drame extended his musical range to an assortment of drums, including the talking drum, the bongolo and the tchoun, and expanded the international presence of the griot by taking his performance to venues all over the world. Recordings like Giant of Djembe and Mandingo Drums spread his message of West African cultural preservation and revitalization even further. Along with his performing and recording duties, Drame is a percussion instructor and the artistic leader of the Ballet Foliba. - Heather Phares
1. Zaouli Coucouba
2. Appel du Tam-Tam À l'Unité
3. Doumdoumba
4. Le Marché de Bouaké
5. Sabar
6. Kofli
320 kbps mp3, including full booklet scans
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Переслать - Abou Chihabi - Komoro. Islands of the Moon
Abou Chihabi
Komoro. Islands of the Moon, 1998
Author of his country's first national anthem, composer Abou Chihabi has found just the right tone to express the spirit of the Comoran people. The album features songs denouncing injustice and oppression, praising the values of democracy and tolerance - songs that enrich his country's popular heritage!
01. Rikedje ?
02. Viva Komoro
03. Asubuhi Idja (Ashuhi)
04. Ephanu Rike Ndahuovi (Rikenda Hupvi)
05. Naya Kamilihe (Ya Kamilihe)
06. Utsilemewe
07. Susu (Susu Mbelele)
08. Itra Nanga
09. Nambie Saa Ndzima
10. Tsasi N'Garidjao
11. Entre la Raison et la Passion
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